[4]

Director Chris Columbus hacks his own Harry Potter films with this knockoff that substitutes wizards with Greek Gods, Quidditch with swordplay, and Hogwarts for a corny renaissance festival in the woods. Young star Logan Lerman, the illegitimate son of Justin Bieber and Zac Efron, strikes a nice pose but lacks charisma. The only actors who leave an impression are Brandon T. Jackson as Percy’s half-goat sidekick and Uma Thurman as a Gloria Swanson-esque Medusa. The script moves at a punishing pace, attempting (and failing) to short-shrift its first act and opting to steer clear of any and all grace notes, even when Percy’s mother is seemingly killed before his eyes. The second act is stuck in an episodic quest for magic pearls, and the third act spirals into a cloying, emotionally hollow father/son moment.

Pacific Rim (2013)

July 13, 2013

[8]

Pacific Rim is good, dumb summer fun. It’s beautiful, sexy, exciting, funny, and it kinda made me feel like a kid again. The premise involves Kaiju and Jägers… scratch that. Let’s call it like it is: this movie is about big fucking robots fighting big fucking monsters. The monsters come from another dimension, entering our world from the bottom of the Pacific Ocean. The robots, each manned by two psychically linked people (often blood relatives), are humanity’s last hope for survival. The concept sounds like the germ of another big, loud, stupid summer movie — you know, the kind Michael Bay makes. But director Guillermo del Toro (Hellboy, Pan’s Labyrinth) handily beats Bay at his own game with Pacific Rim, imbuing the film with more style and substance than any of Bay’s Transformers movies ever had.

The Hobbit: An Unexpected Journey (2012)

July 11, 2013

[6]

Peter Jackson’s Lord of the Rings films are among my very favorites of all time, so The Hobbit is doomed to suffer in comparison. If you’re not a devoted fan of Middle Earth, the first half of An Unexpected Journey will probably feel a bit cumbersome. Jackson should have trimmed 20 or 30 minutes (starting with the oddly wooden cameo performances from Ian Holm and Elijah Wood). But rest assured the pace does pick up and the film does find its action/adventure groove by the end.

The 7th Voyage of Sinbad (1958)

July 11, 2013

[8]

Sinbad must rescue his wife-to-be from the clutches of an evil sorcerer who takes her away to an island full of dangerous monsters in this ebullient fantasy adventure from director Nathan Juran and pioneering effects artist Ray Harryhausen. Harryhausen’s stop-motion animation combine with Bernard Herrmann’s music to give this romantic adventure wings. You can see and hear the passions of both men in the film, and these achievements pretty much make The 7th Voyage of Sinbad what it is: sweet, charming, escapist fare for the whole family.

Oz the Great and Powerful (2013)

July 6, 2013

[5]

It takes a while for Sam Raimi’s Wizard of Oz prequel to pull its shit together and make you care a little about what’s happening, but the final act’s (digital) pyrotechnics and displays of combative sorcery help pull the movie just barely into the safe zone. The casting leaves something to be desired. James Franco, whom I normally like, is surprisingly bland in a role where he desperately needs to carry the film. He gets better as the film goes, finally reaching his stride as Oz the Great and Powerful makes his thundering debut to the citizens of the Emerald City.