Out of Africa (1985)

Out of Africa (1985)

[7] In colonial Kenya, a Danish baroness has an ongoing affair with a big game hunter. On one hand, Sydney Pollacks' Oscar-winning best picture is long and subdued. But on the other hand, it does a great job transporting you to…
The Revenant (2015)

The Revenant (2015)

[8] Hot off his Best Director Oscar for Birdman, Alejandro González Iñárritu delivers another astonishing directorial effort. The Revenant is shot entirely outdoors with available lighting, capturing the story of an 1820s fur trader (Leonardo DiCaprio) who is viciously mauled…
Birdman or (The Unexpected Virtue of Ignorance) (2014)

Birdman or (The Unexpected Virtue of Ignorance) (2014)

[9] Birdman swoops into cineplexes offering the antidote to superhero hysteria, CGI migraines, and Hollywood's usual hackneyed, formulaic bullshit. It's goddamned original, a showcase for skill and craft, and a breath of fresh fucking air. Michael Keaton turns in a…
Gigi (1958)

Gigi (1958)

[3] What a shitty Best Picture winner Gigi is. It's a musical about an unhappy playboy (Louis Jourdan) and an unhappy debutante (Leslie Caron) who fall in love, but then out of love, and back in love, and out, and…
Cavalcade (1933)

Cavalcade (1933)

[4] The third-ever Academy Award for 'Best Picture' went to this somewhat clunky, melodramatic story spanning three decades in the lives of two British families -- one upstairs aristocrats, the other downstairs servants. It may have been one of the…
Gravity (2013)

Gravity (2013)

[6]

Gravity is so harrowing, I’m tempted to call it crisis porn. The movie stars Sandra Bullock and George Clooney as astronauts stranded in orbit over Earth after debris destroys their spacecraft. Director Alfonso Cuarón (Children of Men, A Little Princess) warns us from the get-go with some on-screen text that life in space is impossible, and then proceeds to throw everything you can imagine at Bullock and Clooney’s characters. They’ve got dwindling oxygen supplies, they’ve got the debris looping back around at them every ninety minutes, their spacesuits are running out of propulsion, and their connection to Huston has gone dark. There are the threats of burning alive, freezing to death, drowning, and slipping into coma. They see other members of their crew frozen solid, flesh exposed to the vacuum of space — one guy with a tidy hole clean through his head.

Tom Jones (1963)

Tom Jones (1963)

[4] It must have been a weak year at the movies for this to have been the winner of the Best Picture Oscar. Tom Jones is a meandering mess of a narrative, with no strong through line and a bizarre…
Gone with the Wind (1939)

Gone with the Wind (1939)

[7]

Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything she’s in), Hattie McDaniel (who deserved her Oscar), and Butterfly McQueen (for bringing a little comedy to the proceedings). I don’t get Leslie Howard as Ashley. For being the crux of the movie’s romantic triangle, I’d like to have known what was so darned special about him. Max Steiner’s music, especially the Tara theme, is among the most memorable ever composed for film.

American Beauty (1999)

American Beauty (1999)

[5]

SPOILER REVIEW

I really liked American Beauty when it was first released. Maybe I was wooed by its quirky introspection and aesthetic achievments. Or maybe it was screenwriter Alan Ball’s fresh new way of blending the real with the surreal. Or even the meditative lilt of Thomas Newman’s trend-setting score. But whatever the reason(s), watching the film ten years later, I realize — American Beauty ain’t all that. It’s kinda whack.

The Departed (2006)

The Departed (2006)

[9] Martin Scorsese helms this dramatic thriller about an undercover cop (Leonardo DiCaprio) and a gang mole in the Boston police (Matt Damon) who race to uncover each other's identities while a powerful mobster (Jack Nicholson) manipulates them both to…