Deep End (1970)
The Lion in Winter (1968)
Bonnie and Clyde (1967)
[9]
Warren Beatty and Faye Dunaway star as the legendary real-life bank robbers in Arthur Penn’s volatile Bonnie and Clyde. With its anti-hero point of view and graphic violence, this film helped lead the charge for grittier, more realistic fare that cropped up throughout the ’70s. While the film certainly sensationalizes the criminals, it also humanizes them. It’s easy to see how a bored waitress like Bonnie Parker would fall for a handsome bad boy like Clyde Barrow (I mean, who wouldn’t get in a car with smoking-hot Warren Beatty?) And since the two only robbed banks, they became folk heroes to a working class destroyed by foreclosures. I also like that the film suggests Clyde is impotent. It’s refreshing to see a tough guy with flaws and foibles, and it also makes the romantic relationship more interesting than most.
The Leather Boys (1964)
To Kill a Mockingbird (1962)
[10]
Harper Lee’s Pulitzer Prize-winning novel is lovingly adapted to film by director Robert Mulligan, screenwriter Horton Foote, and producer Alan J. Pakula. Gregory Peck earned the Best Actor Oscar for his portrayal of Atticus Finch, a lawyer of uncompromising morals who puts the safety of his family on the line to defend Tom Robinson (Brock Peters), a black man accused of raping a white woman. Finch is also a widower, raising his two young children with the help of his maid Calpurnia (Estelle Evans). The narrative is made a coming-of-age story through the eyes of Finch’s youngest, the feisty Jean Louise — or Scout (Mary Badham) as she’s nicknamed. Scout’s perspective on racism is balanced with her own fear and ignorance surrounding a neighbor named Boo Radley (Robert Duvall), who turns out to be her salvation when she and her brother are attacked by a bigot seeking revenge on their father.
What Ever Happened to Baby Jane? (1962)
Rio Bravo (1959)
Auntie Mame (1958)
The Incredible Shrinking Man (1957)
[10]
This terrifying tale of emasculation is my favorite sci-fi/horror flick from the atomic age. Grant Williams stars as Scott Carey, a man who gets caught in a strange mist while boating with his wife. Afterwards, he notices his clothes don’t fit quite like they used to. His wife assures him everything is fine, that he just needs to eat more. A few days later, she finds she no longer has to get on her tip-toes to kiss him, and before you know it, his wedding ring falls right off his shrinking finger.