[8] Contact is a message-driven movie that may be too esoteric for a lot of mainstream moviegoers. It’s a character-driven drama with only a few moments of your typical blockbuster spectacle — but I applaud the movie for daring to tangle in an exploration of science vs theology. Jodie Foster gives an impassioned performance as Ellie Arroway, an astronomer (and atheist) who discovers a message …
[6] This first Planet of the Apes sequel is a mixed bag, but the second half wins me over. The first half of the movie is an uninspired retread of the first film, with James Franciscus replacing Charlton Heston as the main character. I like Franciscus. He manages to convey bewilderment and horror without overacting the way Heston does. The movie starts to distinguish itself …
[6] As the sequel to an almost perfect film, Back to the Future: Part II naturally comes up short. While it lacks the heart and coherence of the first film, it’s wild with ideas and invention, both on screen and behind the scenes. The plot is twisted, thrusting Doc Brown and Marty into the year 2015, then to an apocalyptic alter-1985, and finally back to …
[7] The Box is weird, anachronistic, and indulgent, but I’d be lying to say I didn’t dig it. This is the third film from writer/director Richard Kelly, who created a cult phenomenon with Donnie Darko, but then flopped big time with the scatter-brained Southland Tales. The Box is intrinsically retro, based on an episode of the original Twilight Zone TV series (“Button, Button”, written by …
[6] Terminator: Salvation is passable summer entertainment held together by a sliver of thematic sci-fi integrity and a strong supporting performance by Sam Worthington (Avatar). Why Christian Bale opted into this movie is beyond me — it’s a thankless role. He’s easily outshined by Worthington, whose character carries all the dramatic weight of the story. Anton Yelchin, as a young Kyle Reese (Michael Biehn’s character …
[8] Philip Kaufman enhances the creepiness and desperation in this superior retelling of the classic tale of alien menace and paranoia. The terrific cast includes Donald Sutherland, Jeff Goldblum, Veronica Cartwright, Brooke Adams, and Leonard Nimoy. Ben Burtt provides the spooky sound effects, including that hideous, otherworldly sound the pod people make when they spot a human in their midst. This particular film version (there …
[4] Aliens in flying saucers contact a scientist about their plan to enslave all the humans of Earth! This atomic age flick is slow going until the last ten minutes, when effects pioneer Ray Harryhausen gets to destroy Washington D.C. Aside from the big finish, this movie suffers from the usual pitfalls of the era, including bad acting, over reliance on stock footage, and silly …
[8] It may be tempting to dismiss Planet of the Apes as high camp, but there’s provocative science-fiction under those monkey masks. Charlton Heston plays an American astronaut who’s on his way back to Earth when he crashlands on a strange, desolate planet where apes rule and humans are primitive beasts of burden. Heston is captured, tortured, and humiliated by the apes. He finds sympathy …
[6] Disney Animation puts a science-fiction twist on Robert Louis Stevenson’s classic story. The mix of 2D and 3D animation is interesting, especially when you stop to marvel at an animator’s mastery of perspective when 2D characters are seen running through 3D environments while the ‘camera’ moves all around them. The overall design of Treasure Planet is incoherent, though — you never see two of …
[7] The residents of a small California town are slowly being replaced by otherworldly “pod people” and it’s up to Kevin McCarthy and Carolyn Jones to warn the rest of the world about the invasion. This original film version is a modestly-budgeted but effective sci-fi/horror flick. It’s emblematic of the ’50s for its allegorical use of the Red Scare, but it also suffers from some …
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