The Breakfast Club (1985)

The Breakfast Club (1985)

[10]

Writer/director John Hughes had more box office hits than you can shake a stick at, and while many of them were fun and irreverent fare (like Ferris Bueller’s Day Off or Weird Science), one sticks out above the crowd — his crowning achievement: The Breakfast Club.  It’s a low-concept, small-scale production — practically a filmed stage play — about five disparate teenagers who suffer Saturday detention together. There’s the jock (Emilio Estevez), the princess (Molly Ringwald), the nerd (Anthony Michael Hall), the bad boy (Judd Nelson), and the weirdo (Ally Sheedy) — all kids who would never spend one minute of time together under any other circumstances. But tossed together in their school library under the watch of their vindictive principal (Paul Gleason), they are forced to get to know one another.

The Color Purple (1985)

The Color Purple (1985)

[9]

There’s this thing called the “elasticity of human emotion”, where the harder down you throw people, the higher up they’ll rise. I haven’t seen many movies demonstrate this principle better than The Color Purple.  Whoopi Goldberg plays Celie, who we see having two children by her own father before being married off to Mister (Danny Glover), who beats her and convinces her she is ugly. The only person who ever loved her was her sister, Nettie, who Mister banishes from Celie’s life in more ways than one. Her children long since taken away and her sister gone, Celie is one heck of a tragic character. But out of her shame and despair there grows a sense of pride. Her transformation is a powerful one that gives the story universal appeal — who hasn’t felt ugly and unwanted in their lifetime?

Fright Night (1985)

Fright Night (1985)

[9]

As the horror genre shifted full-bore into gore and kill counts in the ’80s, Tom Holland (Child’s Play) wrote and directed this Valentine to a simpler, more classic way of spooky storytelling. Fright Night is about a high school boy (William Ragsdale) who teams up with a TV horror host on the outs (Roddy McDowell) to rescue his friends and family from a vampire (Chris Sarandon) who has taken up residence next door. 

Clue (1985)

Clue (1985)

[9] Six guests are summoned to a mansion on a stormy night where they discover each is being blackmailed by their mysterious host. Not even before dinner is over, the host is murdered and mystery is afoot. But who did…
Gremlins (1984)

Gremlins (1984)

[10] Does it mean anything that Gremlins is my favorite Christmas movie?  Am I bad person because I eschew the sentimentality of It's A Wonderful Life for the malevolent rampage of little green monsters? Actually, sentimentality plays a big part…
The Terminator (1984)

The Terminator (1984)

[9] A cyborg from the future attempts to assasinate the unwitting mother of a future man who will lead humanity in a war against 'the machines.' The Terminator remains one of the best sci-fi films of the '80s. Thanks in part…
Romancing the Stone (1984)

Romancing the Stone (1984)

[9]

This is the ultimate romantic adventure, complete with a great cast, exotic locations, and measured doses of action, humor, and heart.  Michael Douglas and Kathleen Turner never looked better.  They have that ephemeral “chemistry”, the kind that keeps you glued to the screen, rooting for them. The screenplay by Diane Thomas is well paced and constructed, giving plenty of breathing room to a romantic relationship that evolves naturally and believably.  Director Robert Zemeckis (Back to the Future, Forrest Gump) sprinkles memorable action scenes throughout the journey, including the swing across the gorge, the Bronco chase, and the waterfall.  I like the final showdown among all the adversaries, and how a certain alligator figures into the conclusion.  I’m also fond of Alan Silvestri’s score.  It may not be the traditional big orchestra type, but the contemporary/Caribbean/piano lounge feel (odd as it may be) gives the movie a distinct, appropriate sound.

Amadeus (1984)

Amadeus (1984)

[10]

Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. Murray Abraham, turns Mozart’s life and accomplishments into his own personal battle with God. Just watch Abraham pretend to be Mozart’s best friend, all while plotting to destroy him, and you quickly appreciate why the man won an Oscar for his performance.

Ghostbusters (1984)

Ghostbusters (1984)

[9] When New York City becomes increasingly afflicted with ghost-sightings and demonic possessions, it's up to a rag-tag team of self-proclaimed 'Ghostbusters' to save the world from the imminent arrival of a destructive, ancient god. Ghostbusters succeeds as both a…
Indiana Jones and the Temple of Doom (1984)

Indiana Jones and the Temple of Doom (1984)

[9] It may not be as clever or well-crafted as its predecessor, but the first Indy Jones sequel (which is technically a prequel) is still loads of fun. In place of the Nazis, we get a blood-drinking Indian cult, and…