Scott’s Favorite Movies

[10] In the Depression-era Dust Bowl, a traveling con man strikes up an unlikely relationship with an orphan girl who may or may not be his daughter. Director Peter Bogdanovich (The Last Picture Show) coaxes magnificent performances from real-life father and daughter Ryan and Tatum O’Neal, working from a beautiful screenplay adaptation by two-time Oscar winner Alvin Sargent (Julia, Ordinary People). The magic of Paper …

[9] A close-knit group of teenagers relish their last night of summer vacation before their paths diverge, changing their lives forever, in George Lucas’s American Graffiti. Most of the cast succeed in creating wholly believable characters with compelling dilemmas, and Lucas lets the night’s events unfold in a striking, documentary style that makes the film feel immediate and real. The groundbreaking soundtrack features over forty …

[9] Director William Friedkin (The French Connection) approached William Peter Blatty’s tale of demonic possession with seriousness and realism, striking fear in the hearts of moviegoers worldwide. Often feeling more like a documentary than a sensational horror film, The Exorcist lulls you into a false sense of security with its measured pacing, only to shock the piss out of you when the Devil tightens his …

[9] The Godfather balances the private lives of its characters with their sensational ‘occupation’, and that’s why I like it more than other ‘tough-guy’ movies. If I didn’t care about the family members, no amount of horse beheadings or car explosions would be able to pick up the slack. Brando and Duvall command respect in their seemingly effortless performances, and Pacino provides all the empathy …

[10] Peter Bogdanovich adapts Larry McMurtry’s nostalgic coming-of-age tale, creating a film so believably rooted in a lonely time and place (the early ’50s Texas dust bowl), that you have a hard time shaking it when it’s over. The film chronicles the sexual indiscretions of its ensemble of characters, which include a high school infatuation between Duane (Jeff Bridges) and Jacy (Cybill Shepherd), as well …

[9] Several years ago, Dr. Anton Phibes raced to the hospital after learning his wife had died on the operating table. His car crashed off a cliff and he was burned alive. Or was he? After a series of elaborate murders rob London of its top doctors, Scotland Yard is on the case, barely able to keep ahead of the eccentric doctor as he exacts …

[9] Bud Cort and Ruth Gordon play one of cinema’s most unusual but endearing couples in Harold and Maude, a delightfully twisted romantic comedy from Hal Ashby. Harold is a rich, sheltered boy obsessed with death, and Maude is a carefree spirit with an overwhelming zest for life. Once they hook up, wacky adventures and life lessons follow. Colin Higgins’ screenplay never approaches sentiment or …

[9] The Beguiled is a period suspense drama that spirals into claustrophobic horror. Clint Eastwood plays against type as a dying Union soldier rescued by a little girl who brings him to her finishing school in the Confederate south. The Beguiled has all the makings of a sweet drama or light comedy as several of the young women become infatuated with Clint during his convalescence. …

[9] Clint Eastwood stars as his most iconic character, ‘Dirty’ Harry Callahan, a gruff, no-bullshit San Francisco police investigator on the trail of a psychotic sniper who calls himself ‘The Scorpio Killer’. There have been many cat and mouse chase movies over the decades, especially in the paradigm of cop vs criminal, but Dirty Harry left a mark so indelible on the sub-genre, that it …

[9] A teenaged girl (Jenny Agutter) and her little brother (Luc Roeg) are stranded in the Australian Outback after their father begins shooting at them, catches the car on fire, and blows his brains out. They manage to survive for a few days, but ultimately come to rely on a young aborigine (David Gulpilil) who crosses their path. The boy is on ‘walkabout,’ a rite of …

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