[6] Grant Williams (The Incredible Shrinking Man) stars as a serial killer who goes to therapy about his dark compulsion. Turns out the guy has serious Freudian issues involving his mother, father, and sister — anyone who reminds him of them tends to get stabbed. The police are on the case, but can they stop him before his paternal-acting shrink becomes the next victim? The …
[8] Peter Ustinov directs and co-stars in this adaptation of Herman Melville’s unfinished novel of the same name. Ustinov plays the captain of a British ship sailing to battle against France. His master-at-arms, John Claggart (The Wild Bunch‘s Robert Ryan), is a sadistic man who entraps the ship’s crew in criminal charges and lies about allegations. When a new, doe-eyed recruit named Billy Budd (Terence …
[6] Hammer Film’s loose adaptation of Gaston Leroux’s story focuses on revenge and doesn’t really touch upon the subversive romantic potential between the Phantom (Herbert Lom) and Christine (Heather Sears). Since that’s kind of the whole point, the film largely misses the mark. But as usual with Hammer Films, I like the production design and general atmosphere — especially the Phantom’s underground lair. Herbert Lom …
[7] This Hammer production is, in the best way possible, like a live-action episode of Scooby-Doo, complete with pirates, marsh phantoms, scarecrows, and secret identities. The charismatic cast is headlined by Peter Cushing as the dubious town vicar and Patrick Allen as a British captain sent to investigate an alleged smuggling ring. The mystery is as transparent as anything the Scooby gang ever encountered, but …
[7] Gregory Peck plays a prosecutor terrorized by Robert Mitchum, a recently released convict Peck sent to prison eight years ago. Director J. Lee Thompson (Guns of Navarone) takes his cues from Hitchcock and crafts a film that can compete with much of Hitch’s work (it helps to have Bernard Herrmann doing the music.) The censors put just enough of a damper on the film …
[6] Marlon Brando plays Fletcher Christian and Trevor Howard takes on the mantle of the sadistic Captain Bligh in this remake from director Lewis Milestone (All Quiet on the Western Front). The bloated run time (three hours) doesn’t help the movie, and neither does a scarcity of closeups in the super-70mm framing. You never get into the minds of the leading characters and Brando is …
[7] Richard Beymer (West Side Story) stars as Ernest Hemingway’s alter-ego, a young man who comes of age by traveling the country and serving in the military during the early 1900s. With beautiful scenery of rural Michigan and Franz Waxman’s wistful score, the film is unabashedly romantic and nostalgic — it transports you to a time and place you’re reluctant to leave. But as Beymer …
[7] In this political drama from director Otto Preminger, Henry Fonda plays the president’s newly appointed Secretary of State, but before he can take the position he must pass the Senate’s nasty accusations of communism and homosexuality. Advise and Consent starts out very plot-driven and a little dry, unless you’re really interested in senate politics. But by the mid-point, I had invested in the ensemble …
[7] Frank Sinatra and Laurence Harvey star as returning prisoners of war who have been unwittingly hypnotized to become sleeper agents for Communist China in the American political arena. Whenever either man sees the Queen of Hearts from a deck of playing cards, they are compelled to obey the next order they receive from anyone. But while the men are being used like pawns by …
[6] James Bond makes his first movie outing in Dr. No, where he’s pitted against a reclusive scientist who wants to destroy the US space program. Sean Connery is the first man to play Bond. His take is a cool mix of machismo swagger and tongue-in-cheek humor — probably the best way to approach the subject matter. As the first film in the long-lasting series, …
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