[4] American International Pictures uses Edgar Allan Poe’s story as a backdrop for what is really an original mystery story about actors in a turn-of-the-century Grand Guignol theater who are being murdered one by one. Jason Robards headlines as one of the troup, someone who may not be who he appears to be. Christine Kaufmann plays his wife and fellow thespian. She’s having dreams and premonitions …
[7] In New York City, a young nymphet named Alice (surely a Wonderland reference) receives an obscene phone call and immediately falls in love with the caller. She embarks on an urban adventure to find her lover, meeting one strange person after another, until finally coming face to face with the mystery man himself. The Telephone Book is all about sex, but it’s not a …
[4] Angela Lansbury and David Tomlinson star in this Disney live-action/animation hybrid about a witch, a conman, and three children who search for the missing ingredient to a spell that could help England during the siege of WWII. Call me cynical and jaded, but I thought this was bargain basement stuff for Disney. I like the historical backdrop and the basic concept, but not the …
[6] After the success of Midnight Cowboy, John Schlesinger returned to personal storytelling in Britain with Sunday Bloody Sunday, a slice-of-life movie about a middle-aged doctor (Peter Finch) and a divorcee (Glenda Jackson) who knowingly share a bohemian lover (Murray Head). Reportedly largely autobiographical, the film is a study of three different characters’ feelings toward sex and love, and there’s no didactic message here, except …
[10] Peter Bogdanovich adapts Larry McMurtry’s nostalgic coming-of-age tale, creating a film so believably rooted in a lonely time and place (the early ’50s Texas dust bowl), that you have a hard time shaking it when it’s over. The film chronicles the sexual indiscretions of its ensemble of characters, which include a high school infatuation between Duane (Jeff Bridges) and Jacy (Cybill Shepherd), as well …
[9] Several years ago, Dr. Anton Phibes raced to the hospital after learning his wife had died on the operating table. His car crashed off a cliff and he was burned alive. Or was he? After a series of elaborate murders rob London of its top doctors, Scotland Yard is on the case, barely able to keep ahead of the eccentric doctor as he exacts …
[9] Bud Cort and Ruth Gordon play one of cinema’s most unusual but endearing couples in Harold and Maude, a delightfully twisted romantic comedy from Hal Ashby. Harold is a rich, sheltered boy obsessed with death, and Maude is a carefree spirit with an overwhelming zest for life. Once they hook up, wacky adventures and life lessons follow. Colin Higgins’ screenplay never approaches sentiment or …
[9] The Beguiled is a period suspense drama that spirals into claustrophobic horror. Clint Eastwood plays against type as a dying Union soldier rescued by a little girl who brings him to her finishing school in the Confederate south. The Beguiled has all the makings of a sweet drama or light comedy as several of the young women become infatuated with Clint during his convalescence. …
[9] Clint Eastwood stars as his most iconic character, ‘Dirty’ Harry Callahan, a gruff, no-bullshit San Francisco police investigator on the trail of a psychotic sniper who calls himself ‘The Scorpio Killer’. There have been many cat and mouse chase movies over the decades, especially in the paradigm of cop vs criminal, but Dirty Harry left a mark so indelible on the sub-genre, that it …
[9] A teenaged girl (Jenny Agutter) and her little brother (Luc Roeg) are stranded in the Australian Outback after their father begins shooting at them, catches the car on fire, and blows his brains out. They manage to survive for a few days, but ultimately come to rely on a young aborigine (David Gulpilil) who crosses their path. The boy is on ‘walkabout,’ a rite of …
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