[6] Clint Eastwood tackles one of the most hackneyed of all movie subgenres, the race-the-clock death row rescue thriller, and breathes at least enough life into it to keep you engaged. Isaiah Washington puts in a good performance as the innocent man sentenced to die. His scenes with his wife (Lisa Gay Hamilton) and daughter are the movie’s best. The cast also features Denis Leary, …
[6] Moderately entertaining supernatural drama from director Clint Eastwood. The film follows three separate story lines that come together in the end. Matt Damon plays a reluctant psychic who can commune with the dead; Cecile de France plays a news reporter who has a near-death experience in a tsunami that opens the film; and Frankie and George McLaren play twin brothers separated by death. The …
[7] I prefer the more crude and raw qualities of the first film over this sequel, which may be a little more polished but is also a bit less mysterious. Clint Eastwood’s Man with No Name is upstaged in the end by Lee Van Cleef as a rival bounty hunter, but director Sergio Leone still fuels the film with enough piss and vinegar to make …
[5] Clint Eastwood plays a detective (who isn’t Dirty Harry) assigned to a case involving a serial rapist and murderer whose victims begin to include Eastwood’s acquaintances. This is a paint-by-numbers serial killer movie, full of all the old cliches — like the closeups of the killer’s feet, the old ‘close the refrigerator door to reveal the killer’ gag, and bare breasts galore. Eastwood’s performance …
[4] This sequel to The Creature from the Black Lagoon finds the Gill Man captured and put on display in a Florida theme park. Before long, he escapes, takes a woman hostage, and terrorizes the local community. Away from the darkness and depths of the Black Lagoon, the Creature is far less intimidating. I mean, how hard is it to spot an amphibious mutant on …
[7] Beneath the cutesy veneer of this big-budget family spectacle is a surprisingly morose Ghost and Mrs. Muir subplot. The screenplay is a bit scattershot in its aim, but I have to give this flick major kudos for tackling the subjects of death and loneliness for a family audience. There are a few terrific little scenes between young Christina Ricci and Casper, an ILM confection …
[8] Clint Eastwood and Sondra Locke’s romantic but combative relationship fuels this road-trip action/adventure also directed by Eastwood. He’s a cop trying to transfer her from one jail to another, but both the mob and the cops want her dead, and no one cares if he dies with her. The movie’s climax pits the two of them against the world, as Eastwood drives an iron-plated …
[8] I never particularly liked Westerns until I saw this film, my first ‘Spaghetti Western.’ Most people credit Sergio Leone for inventing the genre. If it weren’t for his so-called Man With No Name trilogy (three films starring Clint Eastwood, of which A Fistful of Dollars is the first) the sub-genre may have never taken flight. What Leone did was take the stagey, polished, over-produced …
[9] The Beguiled is a period suspense drama that spirals into claustrophobic horror. Clint Eastwood plays against type as a dying Union soldier rescued by a little girl who brings him to her finishing school in the Confederate south. The Beguiled has all the makings of a sweet drama or light comedy as several of the young women become infatuated with Clint during his convalescence. …
[9] Clint Eastwood stars as his most iconic character, ‘Dirty’ Harry Callahan, a gruff, no-bullshit San Francisco police investigator on the trail of a psychotic sniper who calls himself ‘The Scorpio Killer’. There have been many cat and mouse chase movies over the decades, especially in the paradigm of cop vs criminal, but Dirty Harry left a mark so indelible on the sub-genre, that it …
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