[6] Peter Cushing and Andre Morell, paired a few years earlier in The Hound of the Baskervilles, re-team for Hammer Studios in Cash on Demand. Based on a stage play, this is largely a two-man show with Morell playing a charming but dangerous bank robber who forces Cushing, a bank manager, to help him abscond with over ninety-thousand pounds. Taking place in ‘real time’ two …
[7] Kerwin Mathews (The 7th Voyage of Sinbad) stars an American painter who strikes up an affair with mother and daughter barkeeps in rural France. He agrees to help them break their patriarch from an asylum where he’s been sentenced for murdering the daughter’s rapist with a blowtorch four years earlier. They go through with the plan, but come to regret it when they discover …
[6] Hammer Film’s loose adaptation of Gaston Leroux’s story focuses on revenge and doesn’t really touch upon the subversive romantic potential between the Phantom (Herbert Lom) and Christine (Heather Sears). Since that’s kind of the whole point, the film largely misses the mark. But as usual with Hammer Films, I like the production design and general atmosphere — especially the Phantom’s underground lair. Herbert Lom …
[6] Poor Janet. When she was just a little girl, she watched her mommy stab her daddy to death, and she’s been haunted by nightmares ever since. She’s also terrified of inheriting her mother’s mental disorder. To make matters worse, someone is taking advantage of this fact for their own nefarious purpose. Nightmare is one of a handful of black & white psychological thrillers released …
[7] This Hammer production is, in the best way possible, like a live-action episode of Scooby-Doo, complete with pirates, marsh phantoms, scarecrows, and secret identities. The charismatic cast is headlined by Peter Cushing as the dubious town vicar and Patrick Allen as a British captain sent to investigate an alleged smuggling ring. The mystery is as transparent as anything the Scooby gang ever encountered, but …
[5] A professor and his daughter travel to a village in Cornwall to investigate a deadly epidemic only to discover the dead are crawling back to life! Hammer’s only zombie flick takes a long while to unearth its title subjects, and once they arrive, they take second fiddle to another villain. The zombies themselves look nice, especially in a dream sequence where they climb out …
[5] Hammer’s third Frankenstein film (following Revenge of Frankenstein) is more of a one-off than a sequel, having little to do with the films before or after it. Despite the return of Peter Cushing to the role of Baron Frankenstein and Hammer Films’ terrific sets (the laboratory sets are especially good here), the story is too much of a re-tread to stand out in the …
[5] Burgess Meredith stars as Dr. Diabolo, a sideshow barker who gives daring patrons a glimpse at their untimely demises in this horror anthology flick from Britain’s Amicus Productions (ever the poor man’s Hammer Studios). The four featured tales include a mind-controlling cat, a secret society of androids, a killer piano, and dueling collectors of all things Edgar Allan Poe. I expected more from venerable …
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