James Levine

[6] Breakthroughs in technology make the aural component of this sequel superior to the first, while advances in computer-generated imagery often leave Fantasia 2000 feeling cold and clunky. I like the abstract butterfly battle set to Beethoven’s 5th and the Al Hirschfeld inspired New York sequence set to “Rhapsody in Blue,” but the rest of the program is lackluster at best. Flying CGI whales set …