[4] Rogue One is the first of what is sure to be many stand-alone or spin-off Star Wars movies over the next few decades. This maiden venture focuses on the events leading directly into Episode IV: A New Hope, with a young woman trying to redeem her father’s coerced invention of the Death Star by leading a rag-tag team of freedom fighters into hostile Imperial …
[6] Horror master Mario Bava tackles this James Bond-like action/adventure about a stealthy thief nicknamed Diabolik (John Phillip Law) who eludes a pursuing detective through a series of elaborate heists. I didn’t find the characters terribly interesting, but the film is awash in awesome 60s production design and music. Diabolik’s expansive underground lair is every bit as magnificent as anything from a Bond film. Diabolik’s love …
[5] Lex Barker takes over the loincloth from Johnny Weissmuller, who was simply getting too old and heavy to continue swinging on vines. Unfortunately, what Barker has in looks, he lacks in charisma. The story in this Lost Horizon-esque episode involves a woman (Evelyn Ankers) who crashed in the jungle thirty years ago and happened upon a tribe possessing a literal fountain of youth. When …
[6] A secret civilization is dying of a mysterious disease, so they start kidnapping women to repopulate! Lex Barker swings into action in his second outing as Tarzan, determined to rescue Jane (Vanessa Brown) and a lustful, headstrong nurse (Denise Darcel) from the kidnappers. Cheeta the Chimp’s antics are thankfully kept to a minimum (though he does get drunk in a scene) and Darcel’s performance …
[5] Lex Barker’s third outing in the loincloth has him caught up with gunrunners, warring tribes, and even a man-eating jungle plant. The script is more scatter-shot than usual, but Barker seems more comfortable in the role than before, playing Tarzan as less brutish and more talkative (though still a stranger to most pronouns and articles). Virginia Huston makes a terrible Jane — you don’t …
[5] Tarzan is tricked into guiding smugglers to a village of dangerous natives who guard a secret stash of diamonds in Tarzan’s Savage Fury. Lex Barker’s penultimate swing in the loincloth is the first to dabble with the Greystoke lineage and the second to feature Boy (Tommy Carlton), though this incarnation of Boy is not a blood relative to Tarzan or Jane (Dorothy Hart). I …
[6] Errol Flynn stars as a deep sea diver hunting for a rumored sunken treasure while fending off a trio of baddies that are trying to swipe it out from under him. Flynn is a little past his prime here, and the early fight scene with Richard Webb may be one of the worst-staged in movie history, but Maru Maru is still a fun little …
[5] Visually striking but emotionally hollow, Warren Beatty’s film version of Chester Gould’s comic creation is an underwhelming would-be blockbuster. The only character you can get invested in is Madonna’s Breathless Mahoney. Everyone else, including our strong-jawed hero, is as two-dimensional as the comic strip they came from. It’s kinda fun to spot well-known actors in cameos throughout the movie — keep your eyes peeled …
[5] Lex Barker ends his five-film tenure as Tarzan with a bit of a whimper in Tarzan and the She-Devil. The plot focuses around ivory poachers, lead by Raymond Burr and icy-cool Monique van Vooren, who enslave a peaceful native tribe to do all their grunt work. This installment had the potential for the greatest emotional impact, with Tarzan’s tree-top home burnt to the ground …
[5] This belated sequel gets by, for the most part, on good will and fond memories of the previous three installments. It’s light on memorable action scenes and heavy on silliness (the CGI mokeys and gophers are really, really hard to shake). What I really wanted were more special moments between Harrison Ford and Karen Allen. I mean, who didn’t always want to see Indy …
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