Only Films Rated 10

[10] The day before her second wedding, a priggish socialite (Katharine Hepburn) entangles with her ex-husband (Cary Grant) and a tabloid journalist (Jimmy Stewart), causing an identity crisis that threatens to derail the ceremony. Does she really want to marry a man who sees her as an infallible goddess? Or does she want someone who will let her put her hair down and love her …

[10] Alfred Hitchcock’s first American film and only one to win a Best Picture Oscar is Rebecca, starring Joan Fontaine, Laurence Olivier, and Judith Anderson. Based on the novel by Daphne du Maurier, the film follows a nervous woman (Fontaine) who catches the eye of a wealthy widower (Olivier). After they marry, she is taken to his ancestral mansion, Manderley, where the icy cold head …

[10] Those ruby slippers have lost no luster in the 80-plus years since the original release of The Wizard of Oz, a film that pretty much defines ‘timeless classic’. In the L. Frank Baum story, a spoiled farm girl named Dorothy (Judy Garland) is whisked away in a tornado to the magical land of Oz, where a good witch (Billie Burke) sends her down the …

[10] Directed by George Stevens and inspired by Rudyard Kipling’s poem, Gunga Din is the story of three indomitable British soldiers who find themselves at the center of a battle against the bloodthirsty Thuggee cult. Captured and enslaved with an aspiring water boy (the title character), the men endanger their lives to thwart an ambush of the British army coming to rescue them. Gunga Din …

[10] Katharine Hepburn and Cary Grant give marvelous slapstick performances in Howard Hawks’ farcical masterpiece, Bringing Up Baby. This is my favorite screwball comedy of them all. The mismatched characters are forced into couple-hood through their shared adventures trying to recapture Hepburn’s lost pet leopard. Matters are complicated when another leopard escapes from the local zoo and the two animals get mixed up. By the …

[10] Fritz Lang directed and Thea von Harbou scripted this grandfather of science-fiction films about violent class warfare in a futuristic city. The hero of Metropolis is Freder (Gustav Fröhlich), a privileged playboy who enjoys a life of luxury until a chance encounter with the beautiful Maria (Brigitte Helm) brings him to discover the city’s entire working class is living in the harsh underground to …

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