[7] In colonial Kenya, a Danish baroness has an ongoing affair with a big game hunter. On one hand, Sydney Pollacks’ Oscar-winning best picture is long and subdued. But on the other hand, it does a great job transporting you to another time and place. The wildlife, cinematography, and music score (another fine work from John Barry) will whisk you away whether you want whisked or …
[5] This early Oscar-winning best picture is uneven at best. Richard Dix makes for a hammy lead, while Irene Dunne is stuck playing his harpy of a wife. The film follows the two as they move west to Oklahoma at the end of the 1800s. The second half of the movie skips through so much time and character development, I felt pretty discombobulated by the …
[6] Paul Newman headlines this Robert Wise biopic about real-life boxing champ Rocky Graziano. Ernest Lehman’s smart, well-paced script sees Rocky through several youthful indiscretions that threaten to ruin him just as the lightweight championship comes within reach. Though he had appeared in one other film prior, this is the movie that launched Paul Newman to stardom, and it’s no wonder why — he’s magnetic. …
[5] Marlon Brando is terrific as Marc Antony in the centerpiece scene, rallying Rome to condemn Caesar’s assassins. The supporting cast, sets, Miklos Rozsa’s score, and the cast of thousands are impressive. But I’ll be damned if this movie didn’t have me fighting off sleep on more than one occasion. Maybe I need to see it again later, or maybe James Mason’s voice just puts …
[5] Visually striking but emotionally hollow, Warren Beatty’s film version of Chester Gould’s comic creation is an underwhelming would-be blockbuster. The only character you can get invested in is Madonna’s Breathless Mahoney. Everyone else, including our strong-jawed hero, is as two-dimensional as the comic strip they came from. It’s kinda fun to spot well-known actors in cameos throughout the movie — keep your eyes peeled …
[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[5] Beautifully shot and slavish to Kubrick’s singular, intentionally off-putting vision, Barry Lyndon follows the circuitous rise and fall of an unscrupulous man through love and war, as he swindles his way into aristocracy and sews the seeds of his own ultimate misfortune. I can appreciate the exercise, creating an immaculate vision so emotionally restrained, it’s almost devoid. But the film is a conundrum for …
[8] George Miller has stopped making talking pig and dancing penguin movies (Babe, Happy Feet) long enough to give us another installment in his seminal apocalyptic Mad Max series. The result is probably one of the greatest non-stop action movies ever made. Tom Hardy takes the reigns from Mel Gibson as the title character, but gets to sink his teeth into the role quite a …
[4] Around the World in 80 Days is a three-hour-long, episodic adventure that’s high on spectacle and low on story or character. I wager it played better to a 1950s audience interested in seeing a cliche-ridden “It’s a Small World”-like pastiche of world cultures. I wish leading actor David Niven had more to do in his role — it could have really helped the film …
[3] What a shitty Best Picture winner Gigi is. It’s a musical about an unhappy playboy (Louis Jourdan) and an unhappy debutante (Leslie Caron) who fall in love, but then out of love, and back in love, and out, and finally in again. Apparently neither one feels right playing by the rules of Parisian upper-crust society and doing what is expected of them, so they …
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