[8] Disney’s 50th feature-length animated movie is their best in many years. Tangled recaptures the charm, humor, and spirit of the studio’s second renaissance, the late 80s/early 90s period that saw such hits as The Little Mermaid and Aladdin. Quite simply, I laughed and I cried, thoroughly engaged with the characters and the storytelling. And when I thought I had Tangled figured out, it gave …
[2] There’s precious little to keep you interested in this hideous-looking and busily boring shit-fest of a film that is both a nadir for director Tim Burton’s creative trajectory and emblematic of everything wrong with Hollywood in the early 21st century. Much muchness? Indeed. Alice in Wonderland is the cinematic equivalent of a priapism.
[8] Disney’s Frozen borrows ideas from Hans Christian Andersen’s The Snow Queen and follows closely in the footsteps of Tangled before it, but it’s also a bit more. For one thing, there’s an interesting sister dynamic at play here. One royal daughter, Anna (voiced by Kristen Bell), is the care-free sort, while the older daughter Elsa (Wicked‘s Idina Menzel) is born with a curse – …
[8] This is an underrated comic book adaptation with slick, period production design and top-notch action choreography from director Joe Johnston (Honey, I Shrunk the Kids, October Sky). There’s a gee-whiz ebullience about The Rocketeer that I find utterly charming. Bill Campbell and Jennifer Connelly (future Oscar-winner for A Beautiful Mind) are attractive leads, even if their archetypal characters are somewhat shallow. Timothy Dalton’s villainous …
[6] Prior to Tron, computer animation appeared in a scene here and there, in films like Star Wars and The Black Hole, but Tron marked the first extensive use of it. So it’s something of a cinematic milestone, the great-grandfather of modern CGI fests like Avatar. Tron looks and sounds like no other movie with its austere digitally-rendered landscapes, the characters in glowing tights, and …
[8] It may have been Disney’s pallid attempt to cash in on the success of Star Wars, but The Black Hole is another kind of animal, a kitschy matinee sci-fi/horror movie that’s worth a look in its own right. It’s a cross between Frankenstein and The Old Dark House, falling more in line with Forbidden Planet than it does George Lucas’ famous trilogy. Robert Forster, …
[8] Sinbad must rescue his wife-to-be from the clutches of an evil sorcerer who takes her away to an island full of dangerous monsters in this ebullient fantasy adventure from director Nathan Juran and pioneering effects artist Ray Harryhausen. Harryhausen’s stop-motion animation combine with Bernard Herrmann’s music to give this romantic adventure wings. You can see and hear the passions of both men in the …
[9] My favorite Pixar film features two robots who say little more than each others’ names, but somehow, as if by magic, WALL-E manages to convey more emotion than films that try twice as hard to do so. There’s a charming purity in the characters of WALL-E and EVE, who to differing degrees struggle against their ‘directives’ to form a bond. The fact that these …
[9] “What if a gun had a soul?” That’s how director Brad Bird pitched The Iron Giant to Warner Bros. Animation. The gun in question is The Iron Giant himself, a robot of unknown origin that crash lands on Earth in 1957, at the height of the atomic scare. He dents his head and can’t remember where he’s from or why he exists. He befriends …
[9] Admittedly, I’m a bird fan, but don’t let the marketing fool you. This is not just a kid’s movie — it’s an incredibly moving, gorgeously made film based on an inspirational true story, and I blubber every time I see it. After losing her mother, young Amy (Oscar winner Anna Paquin, The Piano, True Blood) goes to live with her eccentric inventor father (Jeff …
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