[7] Kathryn Bigelow (Strange Days, Near Dark) won the Oscar for directing this suspense thriller about three soldiers who disarm bombs in Iraq. The movie also won Best Picture, maybe just because nothing better came out during the year (except the REAL best picture, District 9, but I digress). It’s far from groundbreaking and surprisingly predictable — but it’s a brisk, entertaining flick that hits …
[7] Precious is the kind of movie a studio exec must dread hearing a pitch about: “So, there’s this girl, and she’s really sad, her daddy raped her, she named her down syndrome baby Mongo, her mother violently abuses her, she’s HIV-positive, and, yeah, it really sucks to be her.” Surprisingly, Precious doesn’t wallow in melodrama. It plays straight-forward and honest, and you really start …
[6] Elia Kazan makes a concerted effort to be less ‘theatrical’ and more ‘cinematic’ with Panic in the Streets, a New Orleans thriller about a policeman and a doctor searching the streets for a killer infected with pneumonic plague. Richard Widmark plays the doctor and Paul Douglas plays the cop. They’re forced to work together and begrudgingly do so for a while, but they eventually …
[7] Russell Crowe and Jennifer Connelly are at the top of their game in A Beautiful Mind, Ron Howard’s Oscar-winning biopic about John Nash, the brilliant but haunted mathematician who overcame schizophrenia and received the Nobel Prize. These are the best performances I’ve seen from Crowe and Connelly — their relationship is the glue that holds the film together. The first two-thirds of the movie …
[8] A movie about corporate betrayal and litigation is normally not my idea of a good time, but The Social Network turns out to be a well-made, voyeuristic look back at the birth of a now-ubiquitous product that many users can’t live without. In fact, you wouldn’t be reading this review without it. Screenwriter Aaron Sorkin (The West Wing) is a shoe-in come Oscar time …
[7] Paul Newman and Robert Redford star in this influential, genre-bending Western about two outlaws who hole up in Bolivia to hide from a pursuing ‘superposse.’ William Goldman’s celebrated screenplay would become the progenitor of countless buddy films for decades to come. Paul Newman has referred to the film as “a love story between two men.” What’s remarkable is that the camaraderie between the two …
[4] Near the end of both Singin’ in the Rain and An American in Paris, there is a big, epic dance number that feels very out of place. It’s the only thing I don’t like about Singin’ in the Rain, and the only thing I DO like about An American in Paris. The later film is essentially a superb 20-minute dance number tacked onto an …
[6] Tom McCarthy (The Station Agent) cowrites and directs this true story of a Boston investigative newspaper team who expose the Catholic Church for covering decades worth of pedophilic activity by over 87 priests in the city. Spotlight‘s not a sentimental movie about the actual crimes being committed, though you will see some survivors talk about their painful memories. The film centers squarely on the …
[7] An unusual sequel of sorts, The Godfather Part II spends equal time in the past and the present, exploring the early life of Vito Corleone (with Robert DeNiro taking over the mantle from Marlon Brando) while also following the continuing story of Vito’s son Michael (Al Pacino reprises his role). Thematically and emotionally, the movie plays like a long and redundant epilogue to the first …
[4] A man named Kris Kringle (Edmund Gwenn) steps in to replace a drunken Santa in Macy’s Thanksgiving Day Parade, and does such a good job that Macy’s then hires him to play Santa in their stores during the holiday season. But when they find out he claims to be the actual one-and-only St. Nick, they try to have him institutionalized. Miracle on 34th Street resolves in …
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