Best Screenplay

[10] In picturesque Italy, 1983, a seventeen-year-old boy falls in love with an older man who is working as his father’s research assistant. That’s it. That’s all Call Me By Your Name is about. And it’s marvelous. So many other coming-of-age, coming out, and gay-centered love stories focus on outside forces exerting pressure on the characters. But James Ivory’s (Maurice, The Remains of the Day) …

[7] Jordan Peele of Key and Peele comedy fame takes an auspicious stab at writing and directing a horror film with Get Out, the story of a young black man who starts to get the heebie jeebies after being introduced to his white girlfriends’ family. At first, it’s innocent enough — white people making statements about voting for Obama, loving Tiger Woods, and conceding to …

[9] Not since 1980’s Ordinary People have we had such a genuinely affecting movie about loss and mourning. In Manchester by the Sea, a man with a tortured past discovers he is the legal guardian of his late brother’s teenaged son. Casey Affleck is remarkable and nuanced in the lead role, playing a character who has repressed his feelings for so long that the mere …

[7] Sidney Poitier plays a black Northern detective who reluctantly aides a white Southern sheriff (Rod Steiger) in solving a murder case. The mystery itself is a bit thin, but it’s bolstered by good performances from the leads and a commendable handling of volatile subject matter. (Though the film takes place in Mississippi, the film’s crew decided to shoot no further south than Tennessee for …

[3] A Jew and a Christian compete in the 1924 Olympics, both running in the name of God and adversity. I’m sorry to say I just couldn’t give a shit. I couldn’t empathize with their motivations. They feel God when they run. Good for them. It would at least be nice if the two competed against one another in the third act, but they don’t. …

[7] In colonial Kenya, a Danish baroness has an ongoing affair with a big game hunter. On one hand, Sydney Pollacks’ Oscar-winning best picture is long and subdued. But on the other hand, it does a great job transporting you to another time and place. The wildlife, cinematography, and music score (another fine work from John Barry) will whisk you away whether you want whisked or …

[7] Director Morten Tyldum makes this true story of Alan Turing and his team of mathematicians fighting the second world war from their college studies as thrilling and interesting as possible. Benedict Cumberbatch headlines as the socially awkward leader of the group, a closeted homosexual who has a ‘beard’ relationship with a fellow smarty-pants played by Keira Knightley. The drama comes mostly from within the group, …

[5] This early Oscar-winning best picture is uneven at best. Richard Dix makes for a hammy lead, while Irene Dunne is stuck playing his harpy of a wife. The film follows the two as they move west to Oklahoma at the end of the 1800s. The second half of the movie skips through so much time and character development, I felt pretty discombobulated by the …

[5] Claude Rains is gold in all his scenes as the god-like Mr. Jordan, but I find the movie’s playfully fatalistic view of love and self-purpose too saccharine to swallow. Robert Montgomery is also good as the deceased boxer who, due to heavenly oversight, gets the opportunity to rejoin the living by possessing the bodies of freshly dead strangers. The film was nominated for several …

[5] I like the premise of this one. Cary Grant plays a beach bum who relays Japanese radio messages to the military during WWII. His life is a solitary one until a plane crashes on the island, introducing him to a school mistress (Leslie Caron) and seven little girls. As you might imagine, at first he hates this estrogen invasion, but soon comes to find …

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