[6] Frank Sinatra plays an unhappy writer and WWII veteran who has trouble readjusting to life in his scenic Indiana hometown. The screenplay, based on a novel by James Jones, gets lackadaisical in the middle, but Vincent Minnelli does a good job capturing both the quaint and stifling qualities of small-town life. Sinatra is good, but he’s easily outshined by his colorful costars. Shirley MacLaine …
[8] Harrison Ford must hide among the Amish after he discovers corruption within his police department. Witness was an opportunity for Ford to show his acting chops, and it remains one of his best performances. This was the first American film made by Australian director Peter Weir (Picnic at Hanging Rock, Fearless). Weir is probably my favorite director. He balances poetic license with elegant restraint …
[2] A bunch of sad, scowling, mopey teenagers cry and whine for two hours because they’re afraid to fuck each other. Some of them are vampires, some of them are werewolves, but nothing ever comes of it. And the main girl? Man, let me tell you. This chick is in MASSIVE need of some serious fucking. If she doesn’t get laid soon, I don’t know …
[6] Michael Cera plays a teen looking to lose his virginity in this lighthearted teenage rebellion romp that features some fun performances from the likes of Zach Galifianakis, Fred Willard, Jean Smart, and Justin Long — but it ultimately doesn’t offer much that we haven’t seen before. Perhaps the freshest element is the fact that Cera’s character conjures an alter-ego for himself who appears on-screen …
[5] A young minister (John Beal) falls in love with a gypsy (Katharine Hepburn) and begins a village scandal. Hepburn and Beal are fairly matched and the rural setting is lovingly evoked through impressive indoor sets. The story, based on a novel by Peter Pan author J.M. Barrie, doesn’t quite break free from the hackneyed cross-class romance mold, but you could do worse for formulaic …
[5] A girl from the San Fernando valley (Deborah Foreman) falls for a city boy (Nicolas Cage), much to the chagrin of superficial friends. Martha Coolidge’s Valley Girl hit the scene just as John Hughes began directing his string of iconic teen flicks, and was probably just as influential in setting the 80s teen trend as any of Hughes’ work. The film is beloved for …
[6] Judi Dench and Jim Broadbent star in this true but tragic love story about lovers of 40 years who are torn apart by Alzheimer’s Disease. Dench is portraying novelist Iris Murdoch, a lover of language who begins losing her ability to communicate, becoming more and more lost in her own inner world. Broadbent plays her devoted husband, desperately trying to understand her and keep …
[7] The ever-versatile Howard Hawks (Rio Bravo, Bringing Up Baby) returns to screwball comedy with Monkey Business, pairing Cary Grant with Ginger Rogers as a couple whose marriage is put to the test when they take a ‘fountain of youth’ potion that regresses them to teenaged states of mind. Grant and Rogers have definite chemistry and do hilariously well here, especially when they begin behaving …
[8] Chris Pine stars in this emotional rescue story about a heroic Coast Guardsman who leads a small crew into a winter storm to rescue the workers on a sinking oil tanker. The Finest Hours is based on the true 1952 story, which the Coast Guard still regards as their most miraculous mission. The movie may already sound exciting to you — and it is. But …
[5] You know this story by now, even if you haven’t seen the movie: Girl meets vampire, girl wants to screw the vampire, but vampire is too good for that shit. I don’t generally like a story where one character pines obsessively over another (which is why I don’t like most John Cusack movies), so when two characters start pining obsessively, I’m bound to be …
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