[9] A cyborg from the future attempts to assasinate the unwitting mother of a future man who will lead humanity in a war against ‘the machines.’ The Terminator remains one of the best sci-fi films of the ’80s. Thanks in part to his education at Roger Corman’s New World Pictures, ambitious director and cowriter James Cameron overcame the confines of a low budget, delivering a film …
[10] In Steven Spielberg’s blockbuster classic, a young boy named Elliot (Henry Thomas) takes care of a stranded alien, helping him send a message into space for the mother ship to return and rescue him. E.T. is about loneliness and friendship. While E.T. has been physically left behind, Elliot and his family — Robert MacNaughton and Drew Barrymore play siblings and Dee Wallace plays the …
[10] Blade Runner tackles one of science fiction’s biggest questions: what makes us human? The story by Philip K. Dick is a sci-fi allegory for soldiers returning home with post-traumatic stress, wrapped in the veneer of a neo-noir detective story — all in all, a beguiling blend of genres and content. Harrison Ford plays the detective, Dekkard, a world-weary loner hired to hunt androids (here …
[10] After deciding directing wasn’t his favorite thing to do, George Lucas enticed his former professor Irvin Kershner (Eyes of Laura Mars, Return of a Man Called Horse) to helm the dark second act of the famous trilogy. The Empire Strikes Back is essentially one long chase movie, as Darth Vader pursues Luke (Mark Hamill), Han (Harrison Ford), Leia (Carrie Fisher) and the rest of …
[10] Ridley Scott’s sci-fi/horror opus Alien is really a haunted house movie set in outer space, where a ragtag team of “space truckers” do battle with one of the most fascinating monsters in movie history. Scott is one of the finest directors of our time, and this may be his best film — a taut thriller, designed and executed with tremendous attention to realism and …
[10] Star Wars needs another review like a wookiee needs Rogaine, but let’s reflect anyway, lest we start to forget its cultural importance and overall awesomeness. After film reached (still) unparalleled popularity in the late ’30s and ’40s, television came along and the film industry instantly began to shrivel. The dry spell lasted until the mid-70s (perfect timing, mom and dad), when the ‘film school …
[10] Fritz Lang directed and Thea von Harbou scripted this grandfather of science-fiction films about violent class warfare in a futuristic city. The hero of Metropolis is Freder (Gustav Fröhlich), a privileged playboy who enjoys a life of luxury until a chance encounter with the beautiful Maria (Brigitte Helm) brings him to discover the city’s entire working class is living in the harsh underground to …
Copyright © 2024 | Theme by MH Themes