1980’s

[7] Young Holmes meets young Watson in prep school and the two solve a mystery involving an ancient Egyptian cult that is killing members of a secret society and sacrificing virgins in ceremony! Unfortunately, the mystery isn’t very engaging and the characterizations are thin. Young Sherlock Holmes still has enough moments of whimsy to keep me amused. I like the many hallucination scenes and the …

[7] A well-structured, lovingly-crafted sword and sorcery flick. Arnold Schwarzenegger, limited as he may be, was born for this role and Basil Poledouris’ score is among the best ever recorded for film. Writer/director John Milius seems rushed at times, but some scenes are extraordinarily polished. I love the first half-hour most of all. The death of Conan’s mother could not be done better. It’s all …

[7] Four old men and their families are haunted by the ghost of a woman the men accidentally killed decades ago in this John Irvin film of the Peter Straub story. It could have benefited from a more visionary director, because it really only taps the surface of its atmospheric potential but Ghost Story is otherwise a solid spook tale of ghostly revenge that kept …

[5] The Russians invade America and spark World War III in this Cold-War emblem from writer/director John Milius (Conan the Barbarian, Big Wednesday). Political correctness aside, the opening of this movie — the Russian invasion — is very effective. But the rest of the movie fails to live up to the promise of its first 10 minutes. It’s fun to see the cast, all of …

[4] A priest’s suicide triggers a zombie apocalypse in this loose sequel to Zombie (aka, Zombie 2), both directed by Lucio Fulci. The story here is silly and the movie takes a lot of detours. The dead priest opening the gates of hell is hard to swallow, but then, few people watch low-budget Italian horror movies for great story. Still, the last act isn’t very …

[2] This movie is just too silly and disjointed for me. I hate it and I always have. It’s a boring, cheap, un-inventive waste of time and talent. I truly don’t get its appeal. The plot is beyond me, and why are all the aliens Jamaican? Why is Jeff Goldblum dressed like a cowboy? Why can’t the amazing John Lithgow rescue me from this torture? …

[6] When classic movie monsters invade their town, a group of kids band together to keep them from finding a magical amulet that will enable the creeps to rule the world. The Monster Squad is an ebulient if uneven little horror/fantasy/kiddie film from the grand ole ’80s. I was surprised how politically incorrect the kids were (refreshing), and how daring the story was at times …

[4] Nazis, a Jewish doctor, his daughter, and a stranger with glowing eyes converge upon a fortress inside the Carpathian mountains where a supernatural creature is trying to escape. The concept, combined with Michael Mann’s stylish direction and an impressive cast that includes Scott Glenn, Ian McKellen, Gabriel Byrne, Robert Prosky, and Jurgen Prochnow, sounds like it could be the recipe for a cool, quirky …

[6] Supergirl is good cheese, one of those ‘so bad it’s good’ kind of movies. You’ve got Faye Dunaway vamping out as a frustrated witch living in an abandoned amusement park, smokey voiced Brenda Vaccaro as her wise-cracking sidekick, a total waste of Peter O’Toole, and a whole bunch of monstrous threats hindered by budget constraints. Take for example Supergirl’s exciting battle with… a tractor. …

[7] SPOILER REVIEW: Sylvester Stallone returns both as star and director, this time pitted against a one-dimensional and downright evil opponent named Clubber Lang (Mr. T). Carl Weathers returns as former opponent Apollo Creed, offering his training services after the death of Mickey (Burgess Meredith). The film gains dramatic heft from Mickey’s departure, and I was glad to see supporting players Talia Shire and Burt …

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