[6] After surviving two rounds with the xenomorphs, Ripley (Sigourney Weaver) crash-lands on a planet where a few dozen convicts have found God in an abandoned mining facility. But God can’t save them from the alien that stowed away with Ripley, especially after Ripley learns she herself is impregnated with the next alien queen. Alien 3 was doomed to become the cautionary example of how …
[7] Visionary director Julie Taymor (Titus, Across the Universe) brings Shakespeare’s The Tempest to the big screen, with the lead role of Prospero played not by a man, as per tradition, but by Helen Mirren. Mirren’s Prospera is raising her daughter (Felicity Jones) on a barren, mystical island where she can practice the magic that got her banished from society. The film opens with Prospera …
[7] First of all, Batman Forever is not Batman and Robin, which came out two years later. For whatever reason, nearly everyone tends to confuse the two or lump them together. Both were directed by Joel Schumacher (The Lost Boys, Flatliners), but in my mind they are very, very different movies. I enjoy Batman Forever way more than I should, but Batman and Robin is …
[10] The story of Titus Andronicus is a fascinating dissertation on human violence, and in the hands of visionary director Julie Taymor (Frida, Across the Universe), it becomes an orgasm of cinematic delight. It opens in the aftermath of war, as Titus (Anthony Hopkins) returns victorious to Rome, having just defeated the Goths and captured their queen, Tamora (Jessica Lange), and her sons. Fulfilling his …
[10] Al Pacino is Vincent Hanna of the LAPD robbery/homicide division. Robert DeNiro is Neil McCauley, the leader of a successful bank robbing team that includes his protege Chris Shiherlis, played by Val Kilmer. After a fouled-up heist puts Hanna on McCauley’s trail, Heat becomes an elaborate cat and mouse chase between a driven police lieutenant and a seasoned criminal. Even though it’s grounded in …
[9] The story covers a lot of ground and time, but its the characters that I find most intriguing in Neil Jordan’s adaptation of Anne Rice’s novel. Lestat, Luis, and young Claudia are vampires, but take away their fangs and coffins, and you have a surrogate family steeped in homoerotic and incestuous desire. The movie is best when the family is together, a little less …
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