Amadeus (1984)

Amadeus (1984)

[10]

Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. Murray Abraham, turns Mozart’s life and accomplishments into his own personal battle with God. Just watch Abraham pretend to be Mozart’s best friend, all while plotting to destroy him, and you quickly appreciate why the man won an Oscar for his performance.

Ghostbusters (1984)

Ghostbusters (1984)

[9] When New York City becomes increasingly afflicted with ghost-sightings and demonic possessions, it's up to a rag-tag team of self-proclaimed 'Ghostbusters' to save the world from the imminent arrival of a destructive, ancient god. Ghostbusters succeeds as both a…
Indiana Jones and the Temple of Doom (1984)

Indiana Jones and the Temple of Doom (1984)

[9] It may not be as clever or well-crafted as its predecessor, but the first Indy Jones sequel (which is technically a prequel) is still loads of fun. In place of the Nazis, we get a blood-drinking Indian cult, and…
Once Upon a Time in America (1984)

Once Upon a Time in America (1984)

[9] "As boys, they said they would die for each other. As men, they did." Once Upon a Time in America is an epic, gorgeous, emotionally moving gangster flick from spaghetti western maestro Sergio Leone (The Good the Bad and…
Return of the Jedi (1983)

Return of the Jedi (1983)

[9] Compared to the previous two episodes in the original Star Wars trilogy, Return of the Jedi comes up a bit short in character and drama. Richard Marquand's direction isn't as elegant or purposeful as Irvin Kershner's (who directed The Empire Strikes…
E.T. The Extra-Terrestrial (1982)

E.T. The Extra-Terrestrial (1982)

[10] In Steven Spielberg's blockbuster classic, a young boy named Elliot (Henry Thomas) takes care of a stranded alien, helping him send a message into space for the mother ship to return and rescue him.  E.T. is about loneliness and…
Poltergeist (1982)

Poltergeist (1982)

[10]

A suburban family seeks the help of paranormal investigators after their youngest daughter is kidnapped by malevolent spirits inside their own home. Poltergeist, written and produced by Steven Spielberg and directed by Tobe Hooper (The Texas Chainsaw Massacre), is an emotional and visceral thrill ride that I have cherished since childhood. The story’s family, the Frelings, are quirky but entirely believable. You get invested in them before the supernatural shit hits the fan, and this gives weight to all the scares and spectacle that follows.

Blade Runner (1982)

Blade Runner (1982)

[10]

Blade Runner tackles one of science fiction’s biggest questions:  what makes us human? The story by Philip K. Dick is a sci-fi allegory for soldiers returning home with post-traumatic stress, wrapped in the veneer of a neo-noir detective story — all in all, a beguiling blend of genres and content. Harrison Ford plays the detective, Dekkard, a world-weary loner hired to hunt androids (here called replicants) in need of ‘retirement’. The notion is that the replicants were created for war, and once they’re done fighting, they can’t possibly reintegrate back into society. But where real-life soldiers risk losing part of their humanity through warfare, the replicants allege to have discovered theirs — if not through battle, through the things they’ve seen and experienced across the universe.

The Thing (1982)

The Thing (1982)

[10]

This movie does two things extraordinarily well. It transports me and it terrifies me. Before anything scary even happens, director John Carpenter succeeds in creating an atmosphere of mystery and suspense that locks me into the film and chills me to the bone. The story features a group of men holed up in an Antarctic research station who discover an alien (the outer space kind) buried in the ice. They carve the creature out of its entombment and bring it back for study, and that’s when all hell breaks loose. While it certainly services those who just want an amazing creature feature, it also operates as a nail-biting mystery. Since the alien can take any shape or form, the characters never know who to trust. They begin suspecting each other and the horror, which had already been pushing in on them from the outside, is suddenly among them. That’s when things get really good. 

The Dark Crystal (1982)

The Dark Crystal (1982)

[10] Jen and Kira, the last of their kind, must restore a missing shard to a magical crystal in order to unite two warring races and bring peace to their fractured world.  The story may be too dark and dreary…