The Evil Dead (1981)
[9] Director Sam Raimi (Spider-Man) puts five young people in a cabin in the woods and lets all hell break loose. The Evil Dead is a true independent, low budget marvel, filmed on the director's dime whenever he could get…
An American Werewolf in London (1981)
[10] With the success of Animal House and The Blues Brothers behind him, director John Landis was able to take a chance on a horror-comedy about two American college students who have a close encounter of the hirsute kind while backpacking through the English…
The Shining (1980)
[9] Stanley Kubrick takes on Stephen King, and while it may not be the most faithful adaptation, The Shining is a gorgeously crafted plunge into fear and insanity. Jack Nicholson and Shelly Duvall play a husband and wife who take…
Alien (1979)
[10] Ridley Scott's sci-fi/horror opus Alien is really a haunted house movie set in outer space, where a ragtag team of "space truckers" do battle with one of the most fascinating monsters in movie history. Scott is one of the…
Dawn of the Dead (1978)
[9]
Ten years after Night of the Living Dead, which pretty much invented zombies as we now know them, George Romero went back to the well and made a sequel that I like even better. Never content to make a zombie movie that is just a zombie movie, Romero infuses Dawn with a statement on the soul-numbing effects of crash commercialism. It’s excellent fodder for college essays, but the message isn’t too overbearing. Dawn functions first and foremost as escapist fare, a kind I particularly enjoy. I mean, how cool would it be to live in a giant mall, even if (especially if?) it was under siege by the living dead? Dawn also benefits from the same claustrophobia and documentary-style film making Romero employed in the first film.
Carrie (1976)
[9]
Brian DePalma directs this Stephen King tale of a ridiculed girl who discovers she has telekinetic powers she can use against her tormenters. King’s forte is character, and he’s got two rich ones with timid Carrie and her whackadoodle mama. Sissy Spacek and Piper Laurie knock it out of the park in two Oscar-nominated performances. Their scenes together are magic — especially when Laurie drags Spacek by the scalp and locks her in a broom closet just for getting her first period. For me, someone who fears nothing more than blind religious conviction, few scenes are as terrifying as watching Laurie scream, “Eve was weak! Eve was weak! Say it, child!” while slapping Spacek in the face with the Bible.
Jaws (1975)
[10] Steven Spielberg's adaptation of Peter Benchley's shark thriller is extraordinarily well made and far more sophisticated than your average monster movie. The first half is a solid scare-fest that unwinds beautifully, from the first vicious attack on a late…
The Texas Chain Saw Massacre (1974)
[10] Oh, Texas Chain Saw Massacre, how do I love thee? Let me count the ways... I love that you're an unrelenting free fall into madness. I love that your first half is mysterious and suspenseful, and that your second…
The Wicker Man (1973)
[9] Edward Woodward (TV's The Equalizer) stars as a Christian police officer investigating the disappearance of a child on a remote island in the Scottish isles. Attempts to solve the case are complicated by the locals, all pagan practitioners who…
The Exorcist (1973)
[9] Director William Friedkin (The French Connection) approached William Peter Blatty's tale of demonic possession with seriousness and realism, striking fear in the hearts of moviegoers worldwide. Often feeling more like a documentary than a sensational horror film, The Exorcist…