Battleground (1949)
[7] Van Johnson and Ricardo Montalban are among the men holed up under snow and fog in William Wellman's (Wings) depiction of the Battle of the Bulge. Unlike most other war films of the time, Battleground is more of a…
Little Miss Sunshine (2006)
[10] I love road movies and ensemble pieces, but Little Miss Sunshine goes one step further by saying something we all need to hear from time to time: it's okay to fall short of ambition. The film throws six disparate…
The Departed (2006)
[9] Martin Scorsese helms this dramatic thriller about an undercover cop (Leonardo DiCaprio) and a gang mole in the Boston police (Matt Damon) who race to uncover each other's identities while a powerful mobster (Jack Nicholson) manipulates them both to…
The Lord of the Rings (2001, 2002, 2003)
[10] Peter Jackson (Dead Alive, The Frighteners) embraces the Herculean task of bringing Tolkien's supreme fantasy to the silver screen, and hits a home run. The Fellowship of the Ring gets the trilogy off to a strong start, as Frodo…
Gods and Monsters (1998)
[9] Ian McKellen gives his most moving film performance to date as James Whale, director of the original Frankenstein, Bride of Frankenstein, The Invisible Man, and many other Golden Age titles. Bill Condon directs and adapts from a novel by…
Pulp Fiction (1994)
[10] A breath of cinematic fresh air that magically dignifies exploitation and elevates dialgoue to an art form. Writer/director Quentin Tarantino (Reservoir Dogs, Kill Bill) assembles a stellar cast highlighted by the return of John Travolta, previously languishing in talking…
The Piano (1993)
[10] Holly Hunter picked up an Academy Award for her performance as Ada, a rebellious mute who finds solace and a means of expression only with her beloved piano in Jane Campion's gorgeously crafted and erotically charged The Piano. Ada…
Thelma & Louise (1991)
[10] "You get what you settle for." It's a potent little theme that asks all of us to take stock of our lives. It probably helps that I saw Thelma & Louise at a time when, like the title characters,…
Dances With Wolves (1990)
[10]
Kevin Costner’s ambitious ode to the American frontier is grand, romantic storytelling at its best. And talk about an underdog. People were calling it ‘Kevin’s Gate’ months prior to release — and why shouldn’t they? A three-hour long western with most of its dialogue in Lakota Sioux? How could such a movie find an audience, much less sweep the Academy Awards?
Amadeus (1984)
[10]
Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. Murray Abraham, turns Mozart’s life and accomplishments into his own personal battle with God. Just watch Abraham pretend to be Mozart’s best friend, all while plotting to destroy him, and you quickly appreciate why the man won an Oscar for his performance.