An aimless playboy and a dorky middle-schooler become friends through serendipity in About a Boy, based on the book by Nick Hornby and directed by Chris and Paul Weitz of American Pie fame. Hugh Grant plays the playboy, coasting on royalties from a famous song his father wrote. Nicholas Hoult, who would later grow up to later star in X-Men: First Class and Warm Bodies, plays the kid. I have a soft spot for surrogate father/son relationships in movies (and I don’t think I’m alone), but Grant and Hoult do a commendable job playing the parts believably and steering clear of cheese. The film manages to incorporate some real drama into the mix, especially regarding Hoult’s suicidal mother (Toni Collette), without getting too weighed down.
Logan Lerman (from the Percy Jackson movies) stars as Charlie in this coming-of-age drama/romance about a socially awkward high school boy who finds solace among the ‘freaks’ while overcoming a past trauma that left him hospitalized. Emma Watson (Hermione from Harry Potter) and Ezra Miller co-star as Sam and Patrick, Charlie’s newfound friends. Together, the trio bond over music and star in a production of The Rocky Horror Picture Show — very much the counter-culture sort of kids. Things go swimmingly until Charlie starts to fall for Sam, and Patrick’s secret relationship with a member of the football team is exposed to the whole school. As these and other dramatic entanglements threaten to destroy his new friendships, Charlie also begins having painful flashbacks surrounding the death of an aunt.
After suffering the suicide of his older brother, Steve (James Marsden) and his family relocate to Cradle Bay, where some of the kids at school aren’t quite themselves these days. With the help of new-found friends Rachel (Katie Holmes) and Gavin (Nick Stahl), Steve discovers that a local doctor, Caldicott (Bruce Greenwood), is conspiring with parents to lobotomize their teens in order to create “good boys and girls”, all of whom become members of the school’s Blue Ribbon elitist clique. Caldicott’s experiments stymie the Blue Ribbons’ sexual impulses and mold them into academic achievers that spend a great deal of time trying to recruit others to “the program”. Unfortunately, the experiments don’t always work. As someone comments in the film, “Whenever one of these kids gets a hard-on, they want to beat someone over the head with it.” But this doesn’t stop Caldicott or the town’s parents from expanding Blue Ribbon membership. When Steve’s parents enter him in Caldicott’s program, he plans a desperate escape, not just from Cradle Bay, but from school, his parents, and the past — the archetypal plight of just about every teenager that ever lived.
For a movie that was no doubt jumping on the E.T. and Star Wars bandwagon, The Last Starfighter manages to carve a niche for itself. Teenager Alex Rogan (Lance Guest) wins the high score on a mysterious video game and is suddenly recruited by an alien to defend the universe from some cosmic bad asses. What counts here is charm. The Last Starfighter oozes with the stuff, and it’s not forced. I love the trailer court setting and the depiction of the tight-knit community that live there. Casting “The Music Man” himself, Robert Preston, as a charlatan recruitment officer named Centauri is a stroke of genius. You can’t help but love Preston, even when he’s peddling bullshit. Dan O’Herlihy also does a commendable job acting through heavy prosthetics as Grig, Alex’s lizard-like trainer and shipmate.
Maggie Smith took home the Best Actress Oscar for her portrayal of Jean Brodie, a charismatic school teacher who dedicates herself to a class of impressionable young women. The film may sound like an all-girl precursor to Dead Poets Society, but it’s a far more nuanced and provocative take on the ‘inspirational teacher’ story. Brodie may begin as the hero of the story, but her tenacious influence and overly-romanticized world view end up having a devastating effect on some of her students. In her (subconscious?) attempt to live vicariously through her “girls,” she ends up creating a monster in her own image.
Two Arkansas boys discover a wanted man (Matthew McConaughey) hiding out on an island who needs their help to find his girlfriend and escape a small army of bounty hunters. There’s a resounding echo of Shane here, with McConaughey putting in another fine performance after his career-turning appearances in Magic Mike and Killer Joe last year. (Welcome back, Matthew!)
