Midnight Lace (1960)
[7] Doris Day stars as a recently married woman who gets lost in the London fog one afternoon. A mysterious voice threatens her life in that mist, and later makes a series of nasty phone calls to her. The caller…
Peeping Tom (1960)
[7] Michael Powell (The Red Shoes) directs this British giallo flick about a photographer whose ghastly hobby is stalking young women and filming their expressions as he murders them. You could say that Peeping Tom is an early slasher film,…
The Last Voyage (1960)
[6] Decades before James Cameron sank the Titanic and twelve years before Irwin Allen took us on The Poseidon Adventure, writer/director Andrew L. Stone took a pioneering step into the disaster film genre. While Cameron and Allen certainly had more…
The Fugitive Kind (1960)
[7] Marlon Brando stars in Sydney Lumet's adaptation of Tennessee Williams Orpheus Descending. (Williams co-wrote the screenplay with Meade Roberts.) Brando plays a young man trying to shed his criminal background and start a new life in a new town.…
Wild River (1960)
[7] Montgomery Clift stars as a Tennessee Valley Authority officer tasked with convincing a stubborn old woman to leave her family's home before implementation of a new dam floods her property. Elia Kazan directs, reuniting with Jo Van Fleet (East…
Exodus (1960)
[4] Paul Newman, Eva Marie Saint, and Sal Mineo put their lives on the line to lead hundreds of Jewish refugees into Palestine during the wake of WWII in Otto Preminger's Exodus. The film has its moments, but for subject…
Spartacus (1960)
[8]
Fans of Ridley Scott’s Gladiator might be surprised how much they will also enjoy (perhaps even prefer) its progenitor. Stanley Kubrick’s Spartacus is a briskly-paced epic, and uncharacteristically emotional compared to his other work. Kirk Douglas is iconic in the lead role, playing a slave forced to fight in the gladiatorial arena for the enjoyment of the aristocracy. Of course he falls in love with a fellow slave girl, of course he escapes, and of course he leads a mammoth army of slaves in revolt against Rome… but when these broad strokes are painted so earnestly, I don’t care. The bleak, bold final act of the film is what really sells the story for me.