Oliver Stone presents his third presidential biopic, this time putting George W. Bush under the microscope. The script by Stanley Weiser (Wall Street) is an ambitious one that sometimes struggles to find its focus, but noticeable emphasis is given to W’s estranged relationship to “Poppy” Bush (George H.W.), his struggle with alcoholism, and his born again faith. As played by Josh Brolin, W. is painted in a goofy but sympathetic light. The goofy parts are mostly on record, though Stone might have toned down the part where W. meets future wife Laura (Elizabeth Banks) while chugging beer and ripping into a mammoth hamburger. The sympathetic parts come from W.’s fears of never living up to the family name, as well as in the final moments, where he seemingly begins to doubt his presidential legacy.
Hellraiser fans rejoice. This is the best Clive Barker movie in twenty years. Director Ryuhei Kitamura hits the nail on the head (or the meathook through the ankles) in his handling of the story, which centers around an urban photographer (The Hangover‘s Bradley Cooper) in search of brutal subject matter. He finds what he’s looking for after stalking a stern-looking butcher onto a subway car late one night. As Cooper’s character and his girlfriend (Leslie Bibb) begin to connect the mysterious butcher to a series of missing persons reports, they fall head-first into some supernatural shit that will change their lives forever.
My favorite Pixar film features two robots who say little more than each others’ names, but somehow, as if by magic, WALL-E manages to convey more emotion than films that try twice as hard to do so. There’s a charming purity in the characters of WALL-E and EVE, who to differing degrees struggle against their ‘directives’ to form a bond. The fact that these two odd ‘bots end up protecting the last sliver of life on Earth — a tiny plant — could have been cloying, but Pixar knows how to handle the material. When WALL-E finds the fragile vine, he simply collects it in an old shoe and places it on a shelf with other artifacts of a bygone era. 
