Jack the Giant Slayer (2013)
[5] They were re-writing the script for Jack the Giant Slayer while they shot the movie, and it shows. It's a bit of a hot mess. I'm a fan of director Bryan Singer (The Usual Suspects, X-Men) and I'm down…
Thor: The Dark World (2013)
[3] Movies like this bring out the valley girl in me. So, like, I just don't give a shit about Thor, okay? Watching a bunch of thee-and-thou types running around in nightgowns and armor is just silly, you know? And…
Gravity (2013)
[6]
Gravity is so harrowing, I’m tempted to call it crisis porn. The movie stars Sandra Bullock and George Clooney as astronauts stranded in orbit over Earth after debris destroys their spacecraft. Director Alfonso Cuarón (Children of Men, A Little Princess) warns us from the get-go with some on-screen text that life in space is impossible, and then proceeds to throw everything you can imagine at Bullock and Clooney’s characters. They’ve got dwindling oxygen supplies, they’ve got the debris looping back around at them every ninety minutes, their spacesuits are running out of propulsion, and their connection to Huston has gone dark. There are the threats of burning alive, freezing to death, drowning, and slipping into coma. They see other members of their crew frozen solid, flesh exposed to the vacuum of space — one guy with a tidy hole clean through his head.
Don Jon (2013)
[7]
Future Oscar-winner (I’ve been saying this since 2001’s Manic) Joseph Gordon-Levitt makes an auspicious writing/directing debut with Don Jon, a character study of a young New Jersey guy whose addiction to pornography takes its toll on his relationships with women. Gordon-Levitt pumped up to play the title character, but I hope he drops the muscle mass soon — his head’s too small for a body that big! The film is superbly cast. Scarlett Johansson impresses me for the first time ever here, playing a sex-pot who knocks Jon off his feet. Tony Danza and Glenne Headly are great as Jon’s parents, and the ever-reliable Julianne Moore is memorable as a quirky but sullen older woman who competes for Jon’s affections as the story wears on.
Only God Forgives (2013)
[7]
Against a backdrop of the Bangkok underground fighting scene, a reticent drug smuggler (Ryan Gosling) is caught in a vicious cycle of brutal revenge after his brother is murdered for committing rape. Only God Forgives plays out like a fever dream, a far more operatic and surreal effort from writer/director Nicolas Winding Refn than his earlier mainstream hit, Drive. There is precious little dialogue, hyper-stylized photography, a brash score by Cliff Martinez, and a willful tendency to blur the line between reality and the characters’ imaginations.
Stranger by the Lake (2013)
[8] At an idyllic lakeshore cruising spot for gay men, Franck (Pierre Deladonchamps) hopes to find a romantic partner. After searching for days at the clothing-optional oasis, he befriends a frumpy loner named Henri (Patrick d'Assumçao). The two strike up…
Elysium (2013)
[5]
Writer/director Neill Blomkamp (District 9) serves up a blunt class struggle allegory set in a future where the filthy rich live on Elysium, a nice orbiting space station, while the rest of us live on the wastelands of planet Earth. Matt Damon stars as the working-class hero who risks it all to break into the floating utopia where he can cure himself and a friend’s child of their fatal illnesses and facilitate a coup. His mission threatens Elysium’s security czar, played by an icy cold Jodie Foster, who is plotting a coup of her own. She summons a crazed secret agent (Sharlto Copley) to stop Damon before her plans are foiled.
The Conjuring (2013)
[6]
The Conjuring, written by twin brothers Chad and Carey Hayes and directed by James Wan (Dead Silence, Saw), is an old-fashioned haunted house story that morphs into one of demonic possession. After some clunky exposition, the first half of the film is a solid tension-filled spook fest. Lili Taylor and Ron Livingston play parents of four young girls who unwittingly move their family into an old house where some pretty serious shit went down. With the help of husband and wife paranormal investigators (Patrick Wilson and Vera Farmiga) and the superfluous involvement of several horror tropes (a nasty doll, a witch, a music box, etc.), you start to figure out what’s going on and who’s behind it all. Unfortunately, the more you learn, the less interesting the movie gets. By the time Lili Taylor steps into pea soup-spewing territory, the movie’s stock starts to plummet.
Pacific Rim (2013)
[8]
Pacific Rim is good, dumb summer fun. It’s beautiful, sexy, exciting, funny, and it kinda made me feel like a kid again. The premise involves Kaiju and Jägers… scratch that. Let’s call it like it is: this movie is about big fucking robots fighting big fucking monsters. The monsters come from another dimension, entering our world from the bottom of the Pacific Ocean. The robots, each manned by two psychically linked people (often blood relatives), are humanity’s last hope for survival. The concept sounds like the germ of another big, loud, stupid summer movie — you know, the kind Michael Bay makes. But director Guillermo del Toro (Hellboy, Pan’s Labyrinth) handily beats Bay at his own game with Pacific Rim, imbuing the film with more style and substance than any of Bay’s Transformers movies ever had.
The Lone Ranger (2013)
[5]
Armie Hammer (The Social Network) stars as the legendary masked man while Johnny Depp picks up the mantle of Tonto in this big-budget version of The Lone Ranger from director Gore Verbinski (The Ring) and producer Jerry Bruckheimer. It’s painfully obvious that the creative team is working very hard to rekindle the flame they ignited with the Pirates of the Caribbean franchise, complete with improbable action set-pieces that rise up out of nowhere and characterizations as broad as the old-fashioned melodramas the film is based on.