[6] I know I’m being too kind to this over-produced piece of cheese, but I’d be lying if I said I didn’t enjoy it at least a little bit. It falls short of all previous installments primarily because the justification for fighting this time around is the weakest, and also because the drama is more forced. The Cold War very much influenced the American propaganda …
[5] The Russians invade America and spark World War III in this Cold-War emblem from writer/director John Milius (Conan the Barbarian, Big Wednesday). Political correctness aside, the opening of this movie — the Russian invasion — is very effective. But the rest of the movie fails to live up to the promise of its first 10 minutes. It’s fun to see the cast, all of …
[8] I’m honestly pretty sick of superhero movies, but I still have a soft spot for the X-Men. Director Matthew Vaughn (Kick-Ass, Layer Cake) reinvigorates things with First Class after a couple of less-than-stellar entries in franchise. The plot moves at a ridiculous pace and the connections between points A, B, and C can be a little convenient, but Vaughn succeeds in giving the movie …
[6] Sidney Lumet directs this fictionalized account of Julius and Ethel Rosenberg, a married couple who were accused of being Soviet spies and executed in the midst of 1950s’ McCarthyism hysteria. Lumet cuts back and forth in time throughout the movie, balancing flashbacks with Julius and Ethel, played by Mandy Patinkin and Lindsay Crouse, with the story of their children ten or fifteen years after …
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