[7] Street Trash is grade-A schlock, precisely the kind of movie that would make your mama cry if she knew you were watching it. An unwitting liquor store owner discovers an old crate of booze and starts selling it to the local homeless population. Unfortunately, the toxic brew has a nasty side effect — the drinker quickly disintegrates into a puddle of bubbling goo! The …
[7] Mommie Dearest is something else. I can’t tell if it’s trying to be an earnest expose on the turbulent home life of legendary star Joan Crawford and her adopted daughter, Christina, or if the dark comedy and camp value were intentional. The film is based on Christina’s tell-all book, so we really only get the nastiest parts of the story — how Joan locked her daughter …
[6] Intentionally bizarre and overwrought, I’m not sure what to make of this adaptation of John Irving’s novel about an extended, eccentric family that moves into a down-trodden hotel. I liked a previous Irving adaptation, The World According to Garp, much better. Garp director George Roy Hill was better able to balance the humor and sorrow than Hotel director Tony Richardson. Richardson leans so much …
[7] Seth Rogen and Evan Goldberg co-wrote and co-produced this R-rated animated satire about a grocery store hot dog (voiced by Rogen) that discovers the truth about life outside the store’s sliding glass doors. But it’s an uphill battle to convince the rest of the grocery denizens that their idea of ‘heaven’ is actually the gnashing teeth of human beings! Sausage Party delivers all the naughty sexual …
[7] If you’re a fan of the ill-mannered British TV show, you’ll probably enjoy Eddy and Patsy’s first big bloody screen adventure. Me? I think it’s one of the funniest TV shows EVER made, so I drove two hours to the nearest theater playing the AbFab movie. As soon as Jennifer Saunders and Joanna Lumley pop on-screen as their boozy, sycophantic characters, I settled in and …
[5] Working from a stale script that comes too late in the Tarantino wake, this dark, violent ‘who’s conning who’ comedy is made tolerable by its flavor-of-the-week casting. If you like Jesse Eisenberg, Danny McBride, and Aziz Ansari (like I do), you’ll find it worth your while. If you don’t, you won’t.
[5] A business man (Paul Rudd) is invited to a clandestine ‘dinner with idiots’ in which he’s encouraged to bring the weirdest, most bizarre guest he can find for the rest of the business partners to gawk. Everyone brings a weirdo, and whoever brings the weirdest person, wins a substantial prize. Rudd manages to find an IRS employee (Steve Carell) who spends all his free …
[5] I’m at a loss for this one. I saw the movie, but I’m still not sure what it’s about. There’s a town that sabotages drivers, all so the community can trade auto parts among themselves and hand the drivers (the ones who live) over to a doctor for medical experimentation. The town’s adults live in fear of their own children, a punkish lot that …
[4] This second retelling of The Maltese Falcon (before John Huston proved the the third time was the charm) is a bizarre pseudo-comedy with an ingratiating performance by Warren William in the role Humphrey Bogart would later immortalize. Warren got under my skin — I hated him. Bette Davis was all right, but the real standout performance was Arthur Treacher as the tall Englishman, Travers. …
[5] Jean Harlow plays such a nasty little character in Red-Headed Woman, sleeping her way to the top of the workforce while ending marriages left and right. She’s so cold and calculating, I almost wish the movie would have been like most others of its kind and punished the slut for her wicked ways. But this time, the slut gets away with it all. I …
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