Dracula: Prince of Darkness (1966)

Dracula: Prince of Darkness (1966)

[6] Christopher Lee dons the fangs for the second time in this direct sequel to Hammer's original Horror of Dracula. Dracula is resurrected when his loyal servant (Philip Latham) lures four stranded travelers, two brothers and their wives, to the…
The Gorgon (1964)

The Gorgon (1964)

[3] One of the creepiest and more original concepts for a Hammer horror movie is also one of the studio's most disappointing efforts. Peter Cushing and Christopher Lee reunite for The Gorgon, but their characters aren't very interesting and the…
These Are the Damned (1962)

These Are the Damned (1962)

[6] Here's a weird offering from Britain's Hammer Films that's so surprising and bewildering, you might overlook its shortcomings. In England, an American tourist (Macdonald Carey) is picked up by a young woman (Shirley Anne Field) who lures him into…
The Kiss of the Vampire (1963)

The Kiss of the Vampire (1963)

[7] Even though it's unrelated to Hammer's popular series of Dracula-centric films, The Kiss of the Vampire is an intriguing entry in the studio's gothic output. Gerald (Edward de Souza) and Marianne (Jennifer Daniel) are a honeymooning couple whose car…
The Stranglers of Bombay (1959)

The Stranglers of Bombay (1959)

[6] A captain in the East India Company launches an investigation into a growing number of disappearances and murders in British colonized India during the 1830s. Guy Rolfe plays the captain who discovers evidence pointing to the deadly Thuggee cult,…
Horror of Dracula (1958)

Horror of Dracula (1958)

[6] Peter Cushing and Christopher Lee reteam after The Curse of Frankenstein to bring another classic monster to life for Britain's Hammer Film Studios. In this adaptation of Bram Stoker's Dracula, Johnathan Harker (John Van Eyssen) arrives at castle of…
The Curse of Frankenstein (1957)

The Curse of Frankenstein (1957)

[4] Hammer Films' version of Mary Shelley's classic story focuses more on Victor Frankenstein (Peter Cushing) than the monster (Christopher Lee), which is perhaps its biggest departure from Universal's 1931 film. Through the eyes of his mentor and lab partner…