[7] In this movie set in the not-too-distant future, Frank Langella stars as an aging ex-burglar whose grown son (James Marsden) buys him a caretaker robot. At first Frank isn’t too fond of his mechanical companion, but when he learns he can get the robot (voiced by Peter Sarsgaard) to learn his old criminal behavior and help in a few local heists, an unlikely friendship …
[7] Ryan Gosling and Rachel McAdams star as young lovers from different social backgrounds whose relationship is torn apart by interfering parents and World War II. When they reunite many years later, she’s engaged to another (James Marsden), but their feelings for one another remain. The Notebook, based on the book by Nicholas Sparks, essentially boils down to, “Which boy will she choose?” But it …
[7] The Box is weird, anachronistic, and indulgent, but I’d be lying to say I didn’t dig it. This is the third film from writer/director Richard Kelly, who created a cult phenomenon with Donnie Darko, but then flopped big time with the scatter-brained Southland Tales. The Box is intrinsically retro, based on an episode of the original Twilight Zone TV series (“Button, Button”, written by …
[7] In this remake of a British original, all hell breaks loose at a funeral where volatile secrets are revealed. There are a few raunchy moments in the remake –directed by Neil LaBute (In the Company of Men) — but the film has much more in common with the old screwball comedies of the 40s than today’s common gross-out fests. The film is sprinkled with …
[7] Director Chris Terrio tackles a New York City slice of life flick that follows five different characters through the course of 24 hours. There’s a pretentiousness about the way in which the characters end up being related, but it’s a great looking film with a remarkable cast that makes it worth while. James Marsden, Elizabeth Banks, and Glenn Close are especially watchable here, playing …
[3] James Marsden, Thomas Jane, and Piper Perabo star in this wannabe animal attack movie that’s really just an overwrought drama about estranged brothers burying the hatchet. The squabbling between the two men (all the men in the movie, actually) gets pretty tedious, and you have to be prepared to get some cheese sprayed on you as well — Perabo’s character is deaf, and she …
[7] [SPOILER REVIEW] Sue me, but I like both the Peckinpah original and this remake. Straw Dogs is a home invasion thriller that is either a tragedy about a pacifist man (James Marsden) who must turn violent to survive, or a celebration of the vicious animal in us all. I’m not sure which, but I enjoy the thematic exploration either way. Marsden, Kate Bosworth, and …
[8] This version of Hairspray disarms you from the very beginning notes of “Good Morning, Baltimore” and builds to one of the most joyful finales of any movie in recent memory. The musical numbers are all superbly choreographed and staged by director Adam Shankman, but it’s the last half-hour of this movie that really seals the deal for me. The climactic performance of “You Can’t …
[6] On one hand, The D Train is a conventional buddy comedy of sorts, about a loser who tries to redeem himself by convincing a popular former classmate to come to their twenty-year high school reunion. On the other hand, the movie is a bold exploration into material you just don’t see that often. The film stars Jack Black as the loser who becomes obsessed …
[6] This is certainly the most action-packed of the X-Men movies, but it’s also the most disrespectful and emotionally hollow. There are some great set pieces, including the free-for-all at Jean Grey’s childhood home, the Golden Gate bridge raising, and the visually stunning climax at Alcatraz, where Dark Phoenix (Famke Janssen) unleashes an effects-filled can of whoop-ass upon the world. There’s potential in that sequence …
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