John Williams

[7] Episode III is far and away the best of the Star Wars prequel trilogy. Everything I don’t like about the previous two films remains true, namely that it’s over-produced and the characters aren’t very interesting or engaging. But at least George Lucas and co-screenwriter Jonathan Hale finally cash in on some of the story’s dramatic potential. As the Emperor (Ian McDiarmid in a starring …

[6] It’s shiny and exciting to look at, a gorgeous smorgasbord of fantastic sets, wardrobe, make-up, and visual effects. But it’s also grotesquely over-produced, almost turning these assets into something garish and distracting. It’s a shame the considerable talents of Liam Neeson, Ewan McGregor, and Natalie Portman couldn’t be put to better use. All three appear insufferably constrained in their roles. Jake Lloyd as young …

[8] For a studio-enforced, obligatory sequel to a damn-near perfect film, you could do a lot worse than Jaws 2. (Try Jaws 3 or Jaws 4!) The first half of the movie embroils us in the affairs of the Brody family, with Roy Scheider and Lorraine Gary reprising their roles from the original film. Murray Hamilton also returns as the Mayor. If you can get …

[5] Earthquake is one of many disaster films that came out in the early ’70s — the kind where a rag-tag team of waning celebrities band together to get thrown around for a couple of hours. In this one, Charlton Heston and Ava Gardner headline as a married couple on the outs. She’s a pill popper and he’s seeing a young widow (Genevieve Bujold) on …

[7] Steve McQueen and Paul Newman help rescue people trapped in a flaming highrise in Irwin Allen’s disaster opus, The Towering Inferno. It is what it is — we all at one time or another want to watch disaster unfold and this movie gives it to you. The script cuts to the action fairly quickly, and builds upon it nicely. Many people say the flames …

[9] If you think of this movie as Jaws on land, as director Steven Spielberg has suggested, it can’t quite compare to that masterpiece. The characters aren’t strong enough. But it’s still a hell of a summer event movie, delivering groundbreaking effects and well-choreographed thrills. The Michael Crichton story focuses on an island theme park where a wealthy entrepreneur (Richard Attenborough) has resurrected dinosaurs from …

[10] It doesn’t matter whether you think Oswald acted alone or not. Oliver Stone’s JFK is stunning in its craftsmanship and enthralling in its narrative construction. If you’re only casually familiar with the people and events surrounding Kennedy’s assassination and the conspiracy theories about it, brace yourself for a fast-paced, provocative, emotionally compelling story that is sure to make you drop your jaw and raise …

[8] Spielberg explores World War II through the eyes of a young British boy (Christian Bale) separated from his parents in Shanghai and forced to live in a Japanese internment camp. For a director who often celebrates innocence (and sometimes wallows in it), it’s nice to see a darker examination of the subject. In Empire of the Sun, innocence isn’t just lost.  It’s almost shattered. 

[9] It may not be as clever or well-crafted as its predecessor, but the first Indy Jones sequel (which is technically a prequel) is still loads of fun. In place of the Nazis, we get a blood-drinking Indian cult, and in place of a tough-as-nails heroine who can hold her own, we get a blonde screaming mess. Temple of Doom is both darker and cornier …

[9] Compared to the previous two episodes in the original Star Wars trilogy, Return of the Jedi comes up a bit short in character and drama. Richard Marquand’s direction isn’t as elegant or purposeful as Irvin Kershner’s (who directed The Empire Strikes Back so gorgeously). But the third film wraps up story threads more than adequately and gives us quite a few spectacular action set pieces, from the …

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