[8] Just as she did with The Piano nearly thirty years ago, director Jane Campion exposes the tragic consequences of rigid gender conformity in The Power of the Dog. Benedict Cumberbatch stars as a deeply closeted gay cattle rancher in 1925 Montana. When his brother (Jesse Plemons) brings his new bride (Kirsten Dunst) and her effeminate son (Kodi Smit-McPhee) to live with them, Cumberbatch cruelly …
[6] Kirsten Dunst and Jay Hernandez star in this teen drama about a rich but troubled white girl and a poor but hard-studying Latino boy who fall in love. Before long, her party attitude begins to clash with his determination to succeed, especially after secrets are revealed about Dunst’s past. When her congressman father (Bruce Davison) encourages Hernandez not to see her anymore, Hernandez must …
[7] Sofia Coppola (The Virgin Suicides) tackles an obscure remake of a 1971 film based on a book by Thomas Cullinan. The Civil War-era story centers around a small group of women and girls who are living in a nearly-abandoned but still operational girl’s school in the deep south. One of the young students discovers a badly injured Union soldier (Colin Farrell) and brings him into the …
[6] Writer/director Jeff Nichols (Take Shelter, Mud) serves up a supernatural drama about a father (Michael Shannon) trying to smuggle his son cross-country while avoiding both the government and the religious cult from which they escaped. Turns out the boy is gifted with strange powers that continue revealing themselves throughout the film. Is he an alien? Is it a government conspiracy? Nichols is hoping you’ll …
[3] Kirsten Dunst, Lizzy Caplan, Isla Fisher, and Rebel Wilson headline this flick written and directed by Leslye Headland (based on her stage play). It’s about three self-absorbed young women who somewhat reluctantly agree to be bride’s maids for a mutual acquaintance. Bachelorette is supposed to be a comedy, but it’s so darned mean-spirited and ugly, I had a hard time mustering any laughs. Am …
[7] Sam Raimi (The Evil Dead) takes the reigns and casts Tobey Maguire as the famous web-slinging superhero. The script is ripe with pointed dialogue, but I’ll be darned if the cast don’t pull it off more often than not. Raimi’s approach is decidedly ‘comic booky’, full of color and frenetically paced, with all the grace notes and emotional high points bent toward operatic. As …
[9] The story covers a lot of ground and time, but its the characters that I find most intriguing in Neil Jordan’s adaptation of Anne Rice’s novel. Lestat, Luis, and young Claudia are vampires, but take away their fangs and coffins, and you have a surrogate family steeped in homoerotic and incestuous desire. The movie is best when the family is together, a little less …
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