[7] While I enjoy parts two and three, I have the same general problem with both of them. Why do they exist? The first film tells a complete story, but part two (with its shuffling of prelude and epilogue) plays like an index and part three is very clearly a coda (Coppola even wanted to name it “The Death of Michael Corleone”). However good they …
[9] The Godfather balances the private lives of its characters with their sensational ‘occupation’, and that’s why I like it more than other ‘tough-guy’ movies. If I didn’t care about the family members, no amount of horse beheadings or car explosions would be able to pick up the slack. Brando and Duvall command respect in their seemingly effortless performances, and Pacino provides all the empathy …
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