Rosario Dawson

[7] Robert Rodriquez and Frank Miller join forces, with a little help from guest director Quentin Tarantino, to bring Miller’s much-loved Sin City to the screen. The result is less a film adaptation than a graphic novel come to life. The color palette is restrained, usually resorting to faithful recreations of Miller’s black and white panel work. The hyper-stylized approach works well for a movie …

[7] An unmanned train is going to crash in a highly populated area unless a conductor and an engineer can stop it. It may be Speed on a train, but as action flicks go, it’s still pretty entertaining. Scenes with Denzel Washington and Chris Pine ‘bonding’ while hurdling toward disaster reek of cliche (so does the subplot involving Pine’s marriage) — but the forced character …

[6] Rosario Dawson stars in this rape revenge story about a timid college freshman who keeps tabs on her rapist while falling in with a seedy crowd who inspire her method of revenge. Descent is a slow burn that tested my patience, that is until the final fifteen minutes, when the rapist becomes the rapee. And when you think it might be over, it ain’t. …

[6] Oliver Stone’s epic bio of the Macedonian military legend, like so many pet projects, is a glorious mess of a movie. The screenplay goes back and forth in time, mixing scenes of Alexander’s youth with scenes of his conquests. The result is jarring, never allowing you to get to know the character in any time. The narrative also relies far too much on Anthony …