[7] John Malkovich stars as renowned German film director F.W. Murnau during the making of the seminal 1922 horror movie, Nosferatu. Willem Dafoe co-stars as enigmatic, creepy-as-shit Max Schreck, who played the vampire in Murnau’s classic. But that’s just the springboard for Shadow of the Vampire, which is really more concerned about creating its own fiction than depicting any behind-the-scenes reality. The gimmick here is …
[6] Robert Redford gets kidnapped, leaving his wife Helen Mirren home with their adult children to try and figure out what the hell is going on. The Clearing divides its time pretty equally between Redford’s and Mirren’s storylines. Redford’s kidnapper is played by Willem Dafoe, who walks him into the woods and claims to be taking him to a cabin where the real bad guys …
[8] Oliver Stone’s Platoon was one of the first major motion pictures to deal with the Vietnam war. Charlie Sheen stars as an infantry volunteer who finds himself in a moral quandry, torn between two sergeants of differing philosophies. Tom Berenger and Willem Dafoe give solid, Oscar-nominated performances as the two sergeants, but it’s the director’s voice that comes through most strikingly in Platoon. As …
[7] This vampire flick from the Spierig brothers (Undead) is good old-fashioned B-movie fun. The concept of a world full of vampires on the brink of a blood shortage is interesting, even if the plot goes silly at times. I liked Ethan Hawke as the vampire in charge of finding a blood substitute (just when I was pretty sure I’d never like Ethan Hawke again). …
[7] I love movies. But unlike most other people who love movies, I don’t love Wes Anderson movies. To me they’re a case of too much style over too little substance. I never care about the story or the characters, and I’m usually more inclined to fall asleep than chuckle at anything. And while The Grand Budapest Hotel is probably my favorite Anderson flick so …
[7] Sam Raimi (The Evil Dead) takes the reigns and casts Tobey Maguire as the famous web-slinging superhero. The script is ripe with pointed dialogue, but I’ll be darned if the cast don’t pull it off more often than not. Raimi’s approach is decidedly ‘comic booky’, full of color and frenetically paced, with all the grace notes and emotional high points bent toward operatic. As …
[9] David Lynch’s surreal cinematic mash-up of love and depravity won the Cannes Film Festival’s prestigious Palme d’Or. It’s a surprisingly simple story about two fierce lovers, Sailor and Lula (Nicolas Cage and Laura Dern) who try to keep their heads above water in a world gone, almost literally, to Hell. The overt Wizard of Oz references serve as a constant reminder that you’re watching …
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