[5] William Holden’s breakout performance was in this drama about a New York violinist who gets drawn into the boxing ring much to his father’s dismay. His fighting takes him all the way to Madison Square Garden under the guidance of a shady mobster, where bitterness about his life choices leads to a tragic outcome. Golden Boy features adequate performances from Holden and love interest …
[8] Hollywood often waters down characters and storylines to make them universally appealing. Filmmakers like Paul Thomas Anderson with Licorice Pizza, or David O. Russell with Joy and The Fighter, are challenging that notion with stories of tremendous specificity — specificity of character, location, obstacle, and endeavor — that find universal appeal without dilution. In pursuit of that specificity, Anderson casts two unknown actors as …
[7] Jennifer Jones and William Holden star as a widowed Eurasian doctor and a married American news correspondent who fall in love despite cultural differences and wartime separations during China’s communist revolution. Love Is a Many-Splendored Thing is one of the quintessential ’50s romance movies. It’s about strangers falling in love in an exotic land, aided as these lovers often are by sandy beaches and …
[6] Julie Andrews, William Holden, Richard Mulligan, Robert Preston, and Robert Webber star in Blake Edwards’ (Breakfast at Tiffany’s, Thoroughly Modern Millie) ensemble comedy about a film producer who goes suicidal after his latest G-rated family film turns out to be a bomb. Desperate to turn things around, he decides to reshoot the film, making it more erotic and promising the public the lead star …
[7] William Holden leads an ensemble cast in Billy Wilder’s adaptation of Stalag 17. The film takes place entirely in a German prisoner-of-war barrack, where the captured Americans are beginning to suspect that Holden’s pessimistic black marketeer character may be informing on them to the Germans. But Holden knows better — that there’s a German spy planted in their midst, secretly thwarting all their chances …
[7] Steve McQueen and Paul Newman help rescue people trapped in a flaming highrise in Irwin Allen’s disaster opus, The Towering Inferno. It is what it is — we all at one time or another want to watch disaster unfold and this movie gives it to you. The script cuts to the action fairly quickly, and builds upon it nicely. Many people say the flames …
[10] A suicidal TV news anchorman strikes a nerve with the public, prompting his network to bastardize their news hour with his crackpot proselytizing. Before long, the network embraces pure tabloid sensationalism — live assassinations and all. Network is now famous for being ahead of its time, foretelling the Jerry Springer and Honey Boo Boo phenomenons decades in advance. But there’s more to it than …
[8] A British colonel (Alec Guinness) leads his fellow POWs in constructing a bridge for their Japanese captors, unaware of the fact that allied forces, guided by a reluctant American (William Holden), have launched a covert mission to destroy it. David Lean’s film zips along remarkably well considering it’s nearly-three-hour running time. The film benefits from its exotic locale, Oscar-winning cinematography, and distinguished performances.
[10] In this darkly comic noir masterpiece from Billy Wilder, a struggling Hollywood screenwriter (William Holden) moves in with a delusional silent film star named Norma Desmond (Gloria Swanson) who wants him to write the script for her big comeback. But when the writer strikes up a relationship with a younger woman (Nancy Olson), the eccentric diva goes dangerously insane with envy. Sunset Boulevard is …
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