[7] Fredric March and Cary Grant play American pilots fighting for Britain during the first World War. The two men frequently quarrel, each coming from a different wartime philosophy. March does his best to avoid killing anyone, while Grant is out to kill any German that crosses his path. The film encourages us to empathize with both men, whose destinies entangle after Grant’s bloodlust contributes …
[8] Writer/director Sam Mendes (American Beauty, Skyfall) and co-writer Krysty Wilson-Cairns bring us back to the trenches of World War I with the harrowing journey of two British officers tasked with traversing enemy territory to deliver a message that will save 1,600 of their fellow soldiers from certain death — including one of the young men’s brothers. 1917 is compelling on two different levels, infusing …
[7] Helen Hayes and Gary Cooper co-star in director Frank Borzage’s adaptation of Ernest Hemingway’s A Farewell to Arms. Cooper plays an American ambulance driver who falls in love with Hayes’ British nurse in Italy during the first World War. They are secretly married and have to keep their relationship hidden from their superiors. Eventually, they are separated and their letters to each other are …
[8] Errol Flynn and David Niven star as World War I pilots confronting the grimmest odds of survival in this exciting and moving remake of Howard Hawks’ 1930 original. With its wartime setting and nary a woman in the cast, The Dawn Patrol is another great bromance in the grand tradition of war stories — it’s all about camraderie, brotherhood and sacrifice.
[7] This is the first of at least three film versions of Robert L. Sherwood’s play about an American soldier who falls in love with a Londoner during a World War I air raid, unaware that she is a prostitute. Director James Whale (Frankenstein, The Invisible Man) delivers a solid melodrama with two great lead performers. I was particularly taken with Kent Douglass as Roy. …
[8] Director William Wellman took a full year to shoot it and was nearly fired for his perfectionism, but the gamble paid off. Wings was a huge success at the box office and became the first ever Oscar-winning Best Picture. At two-and-a-half hours, it runs a little too long, but it’s well paced and very well acted. The spectacular aerial battle sequences are what the …
[9] The grand-daddy of ‘anti-war’ war movies is Lewis Milestone’s All Quiet on the Western Front, the first non-musical ‘talkie’ to win the best picture Academy Award. The film is stylistically way ahead of its time, with sweeping camera movement, realistic (non-theatrical) acting, deep layers of action in the photography, and sophisticated action choreography — all of which you just don’t see in most other …
Copyright © 2024 | Theme by MH Themes