1980’s

[6] There’s no denying the pervasive corniness of Randal Kleiser’s adaptation of The Blue Lagoon. Brooke Shields and Christopher Atkins play teenagers who have grown up in isolation on a remote island after being shipwrecked as children. The film half-asses the characters’ sexual awakenings (what the film is all about) and never stops testing your suspension of disbelief. But the film still works as escapist …

[6] This may be a guilty pleasure, but I also think it inherited an unfair reputation, too.  George Lucas wanted to produce a comic film noir.  No matter how well it was done, it would never be a huge hit.  His name proved cancerous to the movie, unintentionally promising universal appeal for what is really a niche movie. The critics took their best shots and …

[6] If you were making a movie based on a famous toy line and you had no choice but to cast Dolph Lundgren in the lead, you probably couldn’t do much better than Gary Goddard did with Masters of the Universe.  The screenplay by David Odell (The Dark Crystal) transplants the action from He-Man’s homeworld to our own planet.  I’m sure this was a cost-cutting …

[7] Rodney Dangerfield stars as a corporate tycoon who enrolls in college to help inspire his son (Christine‘s Keith Gordon) to stay in school. Now, I’m hard on comedies and I honestly don’t like very many of them — but I really enjoyed Back to School. It’s a terrific vehicle for Dangerfield and his direct, throw-away sensibility. When a stand-up comic is featured in a …

[5] John Landis (Animal House, An American Werewolf in London) directs comedy heavyweights Steve Martin, Chevy Chase, and Martin Short in this goofy flick about three silent film stars who accept a job in Mexico only to realize it’s not a film they’re working on, but a real-life battle between a small village and their tyrannical overlord. I suppose for a kid-friendly comedy, ¡Three Amigos! …

[6] As far as early ’80s made-for-TV movies, you could do a lot worse than Dark Night of the Scarecrow. Larry Drake (Dr. Giggles, Darkman) plays as mentally-challenged man who is murdered by vigilantes after being falsely accused of assaulting a young girl. When the vigilantes start getting killed off one by one, they start to wonder — is Drake still alive and exacting his …

[4] Somehow, Oscar-winners Rod Steiger (In the Heat of the Night) and Kim Hunter (A Streetcar Named Desire) got swindled into starring in this sub-par creature feature about a scientist (Hunter) who performs Frankenstein-like genetic experiments in her basement. On her deathbed, she begs her son (a wooden David Allen Brooks) to destroy her experiments before it’s too late. And wouldn’t you know it? One …

[6] It’s mawkish, awkward, and in need of a subtlety injection, but I like Making Love anyway. As one of the earliest big studio mainstream films to feature openly gay characters who are neither serial killers nor flaming queens, I have to give the flick some cred. Michael Ontkean (Twin Peaks) and Kate Jackson (Charlie’s Angels) play best-friend newlyweds whose relationship begins to deteriorate when …

[7] For a movie that was no doubt jumping on the E.T. and Star Wars bandwagon, The Last Starfighter manages to carve a niche for itself. Teenager Alex Rogan (Lance Guest) wins the high score on a mysterious video game and is suddenly recruited by an alien to defend the universe from some cosmic bad asses. What counts here is charm. The Last Starfighter oozes …

[8] Ridley Scott (Blade Runner, Alien) directs this lavishly mounted fantasy film that’s high on style but low on action. The sets are jaw-dropping, whether it’s the huge, scintillating fairy forest or the fiery underground dungeons of hell. Makeup artist Rob Bottin (The Howling, The Thing) showcases some spectacular Oscar-nominated work. Just look at Tim Curry (The Rocky Horror Picture Show‘s Dr. Frank-N-Furter) as Darkness, …

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