Career Opportunities (1991)

Career Opportunities (1991)

[4] Frank Whaley (Pulp Fiction, Field of Dreams) stars a high school grad who freeloads off his parents until a menial overnight job at Target introduces him to the love of his life, played by the stunning Jennifer Connelly (Labyrinth,…
The Rocketeer (1991)

The Rocketeer (1991)

[8] This is an underrated comic book adaptation with slick, period production design and top-notch action choreography from director Joe Johnston (Honey, I Shrunk the Kids, October Sky).  There's a gee-whiz ebullience about The Rocketeer that I find utterly charming. …
The Fisher King (1991)

The Fisher King (1991)

[10] Jeff Bridges stars as Jack, a shock radio host who inadvertently encourages a mad man to go on a killing spree. Guilt ridden, he teeters on the brink of self-annihilation before an eccentric homeless person named Parry (Robin Williams)…
Thelma & Louise (1991)

Thelma & Louise (1991)

[10] "You get what you settle for." It's a potent little theme that asks all of us to take stock of our lives. It probably helps that I saw Thelma & Louise at a time when, like the title characters,…
Terminator 2: Judgment Day (1991)

Terminator 2: Judgment Day (1991)

[9] This is one of those rare sequels that is arguably better than its predecessor. It may not be as raw and moody as The Terminator, but Terminator 2 is a kick-ass action movie -- one of the best ever…
J.F.K. (1991)

J.F.K. (1991)

[10]

It doesn’t matter whether you think Oswald acted alone or not. Oliver Stone’s JFK is stunning in its craftsmanship and enthralling in its narrative construction. If you’re only casually familiar with the people and events surrounding Kennedy’s assassination and the conspiracy theories about it, brace yourself for a fast-paced, provocative, emotionally compelling story that is sure to make you drop your jaw and raise your eyebrows.

Fried Green Tomatoes (1991)

Fried Green Tomatoes (1991)

[9]

It may be steeped in sentiment and nostalgia, but Fried Green Tomatoes doesn’t need to use them as a crutch to elicit a powerful emotional response.  It’s got bigger guns than that:  character and storytelling.  It’s one of the rare movies that successfully captures the importance of real, honest-to-God friendship, whether its reflected in the toned-down affection between Mary Stuart Masterson and Mary-Louise Parker (whose characters are lesbians in Fannie Flagg’s novel), or in the budding friendship of Kathy Bates and Jessica Tandy.  It’s a marvel that the movie can cut back and forth between the two story lines and keep both equally interesting.