[8] Sally Field leads a spectacular ensemble in Soapdish, a comedy that lampoons daytime TV melodramas, or ‘soap operas’. Field plays an insecure soap star who fears her career may begin to wane as she enters middle-age. Little does she realize that her own life story is about to become more over-the-top than the scripts for her long-running program, The Sun Also Sets. Field is …
[6] Elisabeth Shue (Adventures in Babysitting) stars as a scientist working on an invisibility experiment for the U.S. military in this thriller from director Paul Verhoeven (Spetters, RoboCop). Things are looking good until her brilliant cohort and ex-boyfriend, played by Kevin Bacon, decides to be the first human subject. He successfully becomes invisible, but the transformation also weakens his state of mind and moral grounding. …
[6] Elisabeth Shue (Leaving Las Vegas, The Karate Kid) stars as a high school senior who resigns herself to babysitting when her date cancels at the last minute. But when her friend runs away from home and makes a panicked call from the bus terminal in downtown Chicago, Shue decides she has to rescue her — even if it means dragging a 9 year-old girl …
[6] As the sequel to an almost perfect film, Back to the Future: Part II naturally comes up short. While it lacks the heart and coherence of the first film, it’s wild with ideas and invention, both on screen and behind the scenes. The plot is twisted, thrusting Doc Brown and Marty into the year 2015, then to an apocalyptic alter-1985, and finally back to …
[6] Jessica Lange and Elisabeth Shue star in this darkly comedic period piece about a bitter seamstress (Lange) who plots to ruin the lives of her late sister’s husband and daughter after they refuse to accept her into their wealthy family. Things get escalated when Lange’s character finds love in a young artist who eventually falls for her daughter-in-law. Shue plays a bawdy stage performer …
[6] Gore, boobs, and monsters have always been a recipe for success — at least a moderate degree of it. Piranha 3D, Alexandre Aja’s remake of Roger Corman’s cult classic, proves the recipe may well be immortal. This flick is a big love letter to the low-budget creature features of the 70s and 80s. It’s not better than any of those movies, it’s not quite …
[3] Cocktail is everything awful about calculated ’80s studio film making. It’s as if Touchstone Pictures said, ‘Hey, we have Tom Cruise and a killer soundtrack — quick! Someone write a script!” And that script (based on a book by the screenwriter) throws in everything and the kitchen sink in a desperate attempt to recapture the success of Dirty Dancing, Top Gun, and An Officer …
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