[6] This light-hearted murder mystery isn’t likely to stick in your memory, but should satisfy Errol Flynn fans well enough. Flynn plays an author who writes under a secret identity — so secret even his wife and mother don’t realize it is he who is responsible for a scandalous novel that has recently put polite society up in arms. As life imitates art, Flynn finds …
[6] Barbara Stanwyck shows up at Errol Flynn’s doorstep claiming to be the wife of his late brother. While he suspects she is a gold digger, she suspects he is abusing his young niece (Geraldine Brooks) and may be hiding an even greater secret. The film throws in a few too many red herrings, but I like that it keeps the characters’ motives and allegiances …
[6] Errol Flynn and Eleanor Parker star as the divorced parents of a seven-year-old girl who is trying to get the two back together again. It may sound cloying, but the film uses its device exclusively for screwball comedic effect. Memorable sequences include Flynn’s attempt to have dinner with two women at two different tables at the same time, Christmas Eve with two sparring Santas, …
[6] Errol Flynn stars as a deep sea diver hunting for a rumored sunken treasure while fending off a trio of baddies that are trying to swipe it out from under him. Flynn is a little past his prime here, and the early fight scene with Richard Webb may be one of the worst-staged in movie history, but Maru Maru is still a fun little …
[7] Errol Flynn tries a Western on for size (his first of eight), seizing the sheriff’s badge and cleaning up the lawless town of Dodge City. He’s with his usual leading lady, Olivia de Havilland, and his usual sidekick, Alan Hale, all under Michael Curtiz’s sure-handed direction. (In fact, there’s a scene in the saloon where rival groups compete in song, a scene Curtiz would …
[7] It’s surprising Errol Flynn didn’t make more screwball comedies, because he’s completely at home in this ‘who’s duping who’ comedy, outrunning the guard dogs, shaking hands with people in side-by-side moving cars, and carrying on romantic telephone conversations with two women simultaneously. In Four’s a Crowd, he’s teamed with his regular leading lady Olivia de Havilland, as well as Rosalind Russell (in a newspaper …
[7] After his bomber crew crash behind enemy lines, Errol Flynn leads an ever-shrinking number of men out of Nazi Germany, carrying information that will help turn the tide of war. Desperate Journey often plays like a comic-book rendition of WWII, and yes, it’s Hollywood propaganda (the last line is, “Now, let’s go get those Japs!”) But it’s got Gunga Din‘s spirit of camaraderie and …
[6] This Rudyard Kipling adventure stars young Dean Stockwell in the title role, playing a sneaky street-wise kid who spies for British Intelligence in colonial India. The adventure is a little more episodic than I prefer, bringing Kim into contact with several supporting players, including an older spy named Red Beard (an underutilized Errol Flynn), a curt hypnotist (Arnold Moss), and a holy man (Paul …
[6] Greer Garson stars in this Technicolor costume melodrama about a woman who marries for money instead of love, and later regrets it. I love Garson, and its especially great to see Errol Flynn playing against type as her repressive husband. Walter Pidgeon and Robert Young play two of Garson’s illicit love interests — one is her brother-in-law and the other is her niece’s betrothed …
[7] In this romantic, seafaring adventure from director Michael Curtiz (Casablanca), Errol Flynn swashbuckles as a pirate hired by Queen Elizabeth I to thwart the Spanish armada. The Sea Hawk rises above Saturday matinee standards by integrating a healthy dose of political intrigue and cinematic panache. Flynn is terrific as usual, but there are also memorable performances by Flora Robson as Queen Elizabeth and Henry …
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