[7] Chris Pine and Ben Foster play west Texas brothers who resort to bank robbing to keep from losing their family farm. This draws the attention of a Texas Ranger, played by a snarky Jeff Bridges, and his long-suffering partner (Gil Birmingham). As the brothers collect nearly enough to stop the bank from foreclosing, the rangers close in. Will they secure a future for their …
[6] After the world saw its first bona-fide blockbuster, 1975’s Jaws, daring Italian movie mogul Dino De Laurentiis decided he needed to go down in history for producing the second one. He settled on a remake of 1933’s King Kong and hired John Guillerman (The Towering Inferno) to direct. The screenplay is faithful to the original film in its broad strokes: A boat seeks passage …
[8] I very much enjoyed Drew Goddard’s previous work on Cloverfield and The Cabin in the Woods, and I’m a big fan of single-location ensemble stories, so I was excited to see what Goddard had in store with Bad Times at the El Royale. Bad Times features about seven characters — the titular hotel’s front desk boy and six guests — who each have a …
[6] Jeff Bridges’ wife is murdered and Glenn Close goes to court to prove his innocence. Meanwhile, Peter Coyote’s convinced that Bridges is the killer and Robert Loggia is doing investigation on the side to help Close’s case. And dang it, if Bridges and Close don’t start falling in love. Is he innocent? Is he guilty? You really shouldn’t have to wonder very hard. The …
[7] The superhero film movement happened in spurts dating all the way back to Richard Donner’s 1978 film Superman: The Movie, but with Iron Man, Marvel Studios declared the genre was here to stay. Iron Man lays groundwork for a greater franchise effort, and indeed, nine years later (this review is written in 2017), that franchise shows no sign of slowing down. For better or for …
[6] This screwy comedy about top secret military psychics is based (to questionable extent) on truth. While the ramifications of the subject matter is provocative, the film wisely overlooks them to revel in the absurdity of it all. By its end, The Men Who Stare at Goats becomes downright whimsical. There’s a scant plot with a hazy focus, but that’s okay. The reason to watch …
[8] A teenaged girl ropes an aging, alcoholic U.S. Marshall into helping her find justice for her father’s murder. In this age of sequels and remakes, it’s hard to believe one of them could actually be this good. The Coen Brothers take the John Wayne original (based on a book by Charles Portis), roll it in mud, fray the edges, and weave a telling that’s …
[4] I’d never seen Heaven’s Gate until recently. For decades, it has been the title synonymous with “flop” and studio bankruptcy, but it has also been picked back up, reexamined, and declared somewhat of an artistic treasure in recent years. The story centers around a bloody ongoing battle in 1890s Wyoming between rich cattle barons and struggling immigrant settlers. The settlers steal cattle to feed their …
[7] Jeff Bridges stars in this taut thriller, playing a widower and single father who suspects his next door neighbors (Tim Robbins and Joan Cusack) may be terrorists. Director Mark Pellington works from Ehren Kruger’s tense, devious screenplay (winner of the Nicholl Fellowship in Screenwriting). Bridges is reliably great, taking paranoia and desperation to a whole new level — you are guaranteed to root for …
[6] Prior to Tron, computer animation appeared in a scene here and there, in films like Star Wars and The Black Hole, but Tron marked the first extensive use of it. So it’s something of a cinematic milestone, the great-grandfather of modern CGI fests like Avatar. Tron looks and sounds like no other movie with its austere digitally-rendered landscapes, the characters in glowing tights, and …
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