[7] Tobe Hooper (The Texas Chain Saw Massacre) directs this made-for-TV adaptation of Stephen King’s novel about a writer who discovers his hometown is being overtaken by vampires. The most remarkable thing about Hooper’s work here is how genuinely scary Salem’s Lot is without ever resorting to gore or excessive violence. Scenes of vampire children floating outside bedroom windows, beckoning their next victims to let …
[5] Lew Ayres and Lana Turner headline this fluffy comedy about a dancer (Turner) who is invited to a posh weekend party with a rich boy (Ayres) and his rich friends. The problem is that Ayres was drunk when he invited Turner and already has another date for the weekend. She only learns about this once she arrives at the big event. But instead of …
[5] The last film in the original Apes franchise is also the most disappointing. Roddy McDowall returns as Caesar, trying to lead apes and humans in peaceful coexistence. It’s interesting to see how the movie ties into all the previous installments, but it doesn’t bring anything new to the table. It also looks and feels cheap. Budget cuts make the final battle look like a …
[7] In this political drama from director Otto Preminger, Henry Fonda plays the president’s newly appointed Secretary of State, but before he can take the position he must pass the Senate’s nasty accusations of communism and homosexuality. Advise and Consent starts out very plot-driven and a little dry, unless you’re really interested in senate politics. But by the mid-point, I had invested in the ensemble …
[8] George Cukor directs from the play by Philip Barry (The Philadelphia Story), giving Katharine Hepburn and Cary Grant a chance to shine in this screwball romance. There’s not a Hepburn/Grant pairing I don’t like, and this one comes with a great supporting performance by Lew Ayres as Hepburn’s sobriety-impaired brother. Grant plays a somewhat Bohemian man who falls in love with a rich socialite …
[9] The grand-daddy of ‘anti-war’ war movies is Lewis Milestone’s All Quiet on the Western Front, the first non-musical ‘talkie’ to win the best picture Academy Award. The film is stylistically way ahead of its time, with sweeping camera movement, realistic (non-theatrical) acting, deep layers of action in the photography, and sophisticated action choreography — all of which you just don’t see in most other …
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