[6] Steven Spielberg tackles his autobiography with this story of his youth and adolescence, discovering his love of film while coping with his parents’ untenable marriage. As Spielberg’s stand-in, Sam Fabelman, Gabrielle LaBelle is a disappointingly empty vessel, lacking the charisma or screen presence to carry us through this tale. Michelle Williams leaves a much bigger impression with her performance as Sam/Spielberg’s mother, a carefree …
[6] Ryan Gosling and Michelle Williams star in writer/director Derek Cianfrance’s (The Place Beyond the Pines) melancholy love story, Blue Valentine. The film cuts back and forth between two timelines, with Williams and Gosling playing Brooklyn lovers at both the beginning and end of a relationship. Cianfrance brings his documentary filmmaking skills to bear, coaxing powerful, authentic performances out of his two stars, and utilizing …
[7] Tom Hardy stars as an investigative reporter who becomes the unwilling host body for a gloppy alien creature — named Venom — that gives him superhuman powers. At first the possession experience is scary, with Venom being very much in charge. But eventually Hardy and his counterpart negotiate a relationship as they seek to stop an rich, evil scientist from bringing more dangerous aliens …
[8] Ridley Scott (The Martian, Alien) directs the true-life tale of the 1973 Getty kidnapping. After masked men whisk 16-year-old John Paul Getty III off the streets of Rome, his mother tries to get the ransom money from the boy’s grandfather, John Paul Getty — the richest man in the entire world at that time. But the oil tycoon won’t pay the ransom and the …
[9] Not since 1980’s Ordinary People have we had such a genuinely affecting movie about loss and mourning. In Manchester by the Sea, a man with a tortured past discovers he is the legal guardian of his late brother’s teenaged son. Casey Affleck is remarkable and nuanced in the lead role, playing a character who has repressed his feelings for so long that the mere …
[5] It takes a while for Sam Raimi’s Wizard of Oz prequel to pull its shit together and make you care a little about what’s happening, but the final act’s (digital) pyrotechnics and displays of combative sorcery help pull the movie just barely into the safe zone. The casting leaves something to be desired. James Franco, whom I normally like, is surprisingly bland in a …
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