Saoirse Ronan

[7] Thirteen-year-old aspiring writer Briony Tallis (Saoirse Ronan) accuses her older sister’s lover of a crime he didn’t commit, effectively condemning him to years of prison and compulsory military service. The lovers (Keira Knightley and James McAvoy) stay connected through letter-writing, but the unfolding tragedies of World War II keep them ever apart. Years later, Briony wants to atone for the sin that tore her …

[8] If someone is going to pick up Louisa May Alcott’s much-loved literary classic, dust it off, and serve up a retelling, let it be the Oscar-nominated writer/director of Lady Bird. Greta Gerwig is respectably faithful to the material, but bold in her decision to dice the story up and deliver it in non-linear fashion. In Gerwig’s adaptation, we experience the aftermath of the March …

[3] Maybe Alice Sebold’s novel is a different and more worthwhile experience. But not having read it, I’m pondering what the hell I’m supposed to take away from Peter Jackson’s film adaptation of The Lovely Bones. The movie is about a dead 14-year-old (Saoirse Ronan) who is stuck in some sort of purgatory where she can look in on her grieving family, as well as …

[7] Saoirse Ronan stars as the title character, an anxiety-ridden, pretentious, troubled — well, normal, I guess — teenager who does lots of teenagery things, like having sex for the first time and trying to get into college. Watching Lady Bird is like being a fly on the wall inside the character’s lower-middle-class home. The central conflict is between Lady Bird and her mother, played compellingly …

[7] Saoirse Ronan (The Lovely Bones) stars as a mysterious teenager raised in the wilderness by her ex-CIA father (Eric Bana) to be a lethal killing machine. Director Joe Wright steps out of his comfort zone (his previous films include Atonement and Pride & Prejudice) to deliver a stylish thriller galvanized by terrific performances from Ronan and Cate Blanchett, whose never been sexier or scarier …

[6] There’s no director I admire more than Peter Weir (Fearless, Mosquito Coast), even if his latest film left me a tad underwhelmed. The Way Back is about a group of men who escape a Russian labor camp during WWII and risk their lives through thousands of miles of wilderness to find their freedom in neighboring Mongolia. The cast includes Ed Harris and Colin Farrell, …

[7] I love movies. But unlike most other people who love movies, I don’t love Wes Anderson movies. To me they’re a case of too much style over too little substance. I never care about the story or the characters, and I’m usually more inclined to fall asleep than chuckle at anything. And while The Grand Budapest Hotel is probably my favorite Anderson flick so …