Errol Flynn plays a banker who takes up boxing and makes it all the way to a climactic match against the heavyweight champion of the world. Gentleman Jim is more entertaining than I imagined, thanks to Flynn’s persistent charm and healthy doses of wit and humor. Alan Hale returns to Flynn’s side, this time playing his proud papa, while Alexis Smith takes over the leading lady duties. She’s no De Havilland, but she holds her own in a romantic subplot that is unusually tolerable for the time.
Based on the novel Washington Square by Henry James, The Heiress centers around Catherine (Olivia de Havilland), a shy, socially inept young woman who gets swept off her feet by a dashing young destitute (Montgomery Clift). When her father (Ralph Richardson) accuses the man of preying on his daughter’s inheritance, he threatens to cut her off. Putting all her faith in her first love, Catherine ends up brutally betrayed by both men — and begins to trade her naivete and timidity for spite and cruelty.
Three desperate men scrape together everything they can muster to go prospecting for gold and discover not just riches, but the destructive greed that comes with them. This is one of John Huston’s finest works, a male bonding adventure that doubles as a dark morality tale. Humphrey Bogart is terrific in the leading role, especially when his character begins turning into the monster of the piece. Outside of film noir, you rarely see protagonists like Bogart’s go evil without the film losing favor with the audience. Maybe we still feel a little sympathy for him because we see his dark potential in ourselves?
