I don’t normally like bad movies. I don’t usually subscribe to the “so bad, it’s good” mentality. Bad is just bad. But there are rare exceptions and Airport 1975 is one them. First of all, the Airport franchise is ridiculous. I mean, they made four of these things, and it’s the same story every time: a plane full of celebrities falls into jeopardy and needs a’savin’. This is the second in the series — and the most enjoyable. How could it not be? Check this shit out:
Director Sidney Lumet showcases a true story ripped from the headlines, about two amateur bank robbers who started a media sensation that exploded further when the public learned of their unusual circumstances. Al Pacino stars as the master-mind of the heist plan that goes to hell and Charles Durning costars as the police captain who tries to manage the 24-hour siege. What’s most remarkable about this story is the robbers’ unexpected courtesy toward their hostages and law enforcement, as well as the reason Pacino’s character needs the money — to pay for his lover’s sex change. Lumet’s unadorned, fly-on-the-wall approach neither sensationalizes nor condescends to any of the material or its characters. Dog Day Afternoon is a mesmerizing mash-up of the gritty and the oddly touching, the darkly comic and the emotionally tense. Frank Pierson took home the Academy Award for his original screenplay, while the film also earned nominations for Best Picture, Director, and Editing (Dede Allen). Pacino was nominated for Best Actor and Chris Sarandon (Fright Night, The Princess Bride) was nominated for his supporting role as Pacino’s exasperated boyfriend. With John Cazale and Carol Kane.
Mel Brooks sends up Alfred Hitchcock in High Anxiety, a spoof centered around a psychiatrist who uncovers shenanigans at ‘The Psychoneurotic Institute for the Very, VERY Nervous’. Brooks plays the shrink, a man who must cope with his own ‘high anxiety’ while getting to the bottom of a murder mystery before the Institute’s nefarious head nurse and former administrator order him killed! Cloris Leachman and Harvey Korman are stand-outs as the villains. In one scene, you see the hunch-backed, mustached Leachman don a Nazi uniform when she lashes the bound Korman during a clandestine S&M session.
John Huston tackles Flannery O’Connor’s gothic tale of southern evangelism. Wise Blood is a curious movie full of interesting ideas, not the least of which is a paradoxical main character who shuns Jesus while simultaneously torturing himself for some sort of redemption. Brad Dourif (One Flew Over the Cuckoo’s Nest, Child’s Play) stars as the son of a ‘hellfire and brimstone’ preacher (Huston in flashbacks) who moves to a new city and tries to start up his own church, “The Church Without Jesus.” Preaching on street corners, he easily wins the undying allegiance of a simpleton played by Dan Shor (Tron, Bill and Ted) and makes enemies with rival street preachers (Harry Dean Stanton and Ned Beatty) who only seek to swindle a dollar from faithful onlookers.
In The Other, To Kill a Mockingbird director Robert Mulligan does a great job engendering sympathy for a schizophrenic child who is channeling the spirit of his deceased twin. Chris and Martin Udvarnoky do a commendable job playing the boy and his ‘other,’ and famed acting teacher Uta Hagen is good as the Russian aunt who begins to put two and two together after a series of tragic ‘accidents’ happen on the family farm.
