[10]

Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. Murray Abraham, turns Mozart’s life and accomplishments into his own personal battle with God. Just watch Abraham pretend to be Mozart’s best friend, all while plotting to destroy him, and you quickly appreciate why the man won an Oscar for his performance.

Ordinary People (1980)

October 16, 1980

[10]

Robert Redford directs this adaptation of Judith Guest’s novel, about a family reeling from the accidental death of the eldest child. Unlike so many dramas, it’s what you don’t see and what isn’t said that makes Ordinary People such a gut-wrenching, powerfully moving film.

Timothy Hutton, Donald Sutherland, and Mary Tyler Moore give superb performances as family members struggling to reconnect with one another after the tragedy. Hutton won the Best Supporting Actor Oscar for his raw, riveting portrayal of young Conrad Jarrett.Â Moore plays his mother, an emotionally unavailable woman barricading herself from further distress by ignoring her family’s problems, even after Conrad tries to take his own life. Sutherland plays the father, the mediator between mother and son, desperately trying to hold his family together. Judd Hirsch appears as Conrad’s therapist, a savior shrink who forces Conrad to confront his guilt and fear.Â

Rocky (1976)

April 23, 1976

[9] Sylvester Stallone wrote and stars in this low-budget box office triumph that went on to win the Best Picture Academy Award. Rocky is a remarkable blend of fantastic performances, understated screenwriting, and straightforward execution. It's very hard not to…

The Bridge on the River Kwai (1957)

July 12, 1957

[8]

A British colonel (Alec Guinness) leads his fellow POWs in constructing a bridge for their Japanese captors, unaware of the fact that allied forces, guided by a reluctant American (William Holden), have launched a covert mission to destroy it. David Lean’s film zips along remarkably well considering it’s nearly-three-hour running time. The film benefits from its exotic locale, Oscar-winning cinematography, and distinguished performances.

A Place in the Sun (1951)

December 11, 1951

[9] Montgomery Clift (Red River, The Heiress) stars as a poor young man who takes a job at his rich uncle's garment factory where he falls in love with a coworker played by Shelley Winters. Things become complicated when Clift…

All About Eve (1950)

July 6, 1950

[10] Bette Davis revived her sagging career and writer/director Joseph L. Mankiewicz continued an Oscar streak with All About Eve. Davis stars as Margo Channing, an aging broadway star who takes a sympathetic, aspiring ingenue under her wing. Anne Baxter…

The Treasure of the Sierra Madre (1948)

July 24, 1948

[9]

Three desperate men scrape together everything they can muster to go prospecting for gold and discover not just riches, but the destructive greed that comes with them. This is one of John Huston’s finest works, a male bonding adventure that doubles as a dark morality tale. Humphrey Bogart is terrific in the leading role, especially when his character begins turning into the monster of the piece. Outside of film noir, you rarely see protagonists like Bogart’s go evil without the film losing favor with the audience. Maybe we still feel a little sympathy for him because we see his dark potential in ourselves?

Amadeus (1984)

[10]

Ordinary People (1980)

[10]

Rocky (1976)

The Bridge on the River Kwai (1957)

[8]

A Place in the Sun (1951)

All About Eve (1950)

The Treasure of the Sierra Madre (1948)

[9]

Casablanca (1942)

Mrs. Miniver (1942)

The Grapes of Wrath (1940)